Citation: E. Wylder, INFLECTIONS OF THE PEN - DASH AND VOICE IN DICKINSON,EMILY - CRUMBLEY,P, American literary realism, 1870-1910, 30(3), 1998, pp. 90-92
Citation: Hj. Dawson, THE ETHNICITY OF HUCK-FINN AND THE DIFFERENCE IT MAKES (CLEMENS,SAMUEL), American literary realism, 1870-1910, 30(2), 1998, pp. 1-16
Citation: Cj. Goheen, EDITORIAL MISINTERPRETATION AND THE UNMAKING OF A PERFECTLY GOOD STORY - THE PUBLICATION HISTORY OF THE 'COUNTRY OF THE POINTED FIRS' (JEWETT,SARAH,ORNE), American literary realism, 1870-1910, 30(2), 1998, pp. 28-42
Citation: R. Moss, TRACING TWAIN,MARK INTENTIONS - THE RETREAT FROM ISSUES OF RACE IN 'PUDDNHEAD WILSON' (CLEMENS,SAMUEL), American literary realism, 1870-1910, 30(2), 1998, pp. 43-55
Citation: Ej. Orlando, REREADING WHARTON POOR ARCHER - A MR. MIGHT-HAVE-BEEN IN THE 'AGE OF INNOCENCE', American literary realism, 1870-1910, 30(2), 1998, pp. 56-76
Citation: B. Levy, THE COUNTRY OF CORNER LOTS - THE 'MYSTERY OF METROPOLISVILLE', THE SINGLE TAX, AND THE LOGIC OF PROVINCIAL REALISM (EGGLESTON,EDWARD), American literary realism, 1870-1910, 30(2), 1998, pp. 77-94
Citation: A. Ackerman, THE RIGHT TO PRIVACY - HOWELLS,WILLIAM,DEAN AND THE RISE OF DRAMATIC REALISM, American literary realism, 1870-1910, 30(1), 1997, pp. 1-19
Citation: Jc. Duffy, I WOULD NOT PRESUME TO DECIDE - GENDER AND AMBIVALENCE IN HOWELLS 'INDIAN SUMMER', American literary realism, 1870-1910, 30(1), 1997, pp. 20-33
Citation: Gd. Klopfenstein, THE FLYING DUTCHMAN OF AMERICAN LITERATURE - FREDERIC,HAROLD AND THE AMERICAN CANON, A CENTENARY OVERVIEW, American literary realism, 1870-1910, 30(1), 1997, pp. 34-46
Citation: L. Kornasky, ON LISTEN(ING) TO SPECTERS TOO - WHARTON 'BUNNER SISTERS' AND IDEOLOGIES OF SEXUAL SELECTION, American literary realism, 1870-1910, 30(1), 1997, pp. 47-58
Citation: N. Witschi, LEWIS,SINCLAIR, THE VOICE OF SATIRE, AND AUSTIN,MARY REVOLT FROM THE VILLAGE, American literary realism, 1870-1910, 30(1), 1997, pp. 75-90
Citation: Jr. Payne, SEIZING THE WORD - HISTORY, ART, AND SELF IN THE WORK OF DUBOIS,W.E.B. - BYERMAN,KE, American literary realism, 1870-1910, 30(1), 1997, pp. 91-92
Citation: Hk. Bush, BIOGRAPHIES OF BOOKS - THE COMPOSITIONAL HISTORIES OF NOTABLE AMERICAN WRITINGS - BARBOUR,J, QUIRK,T, American literary realism, 1870-1910, 30(1), 1997, pp. 93-94
Citation: C. Walsh, STARDOM IS BORN - THE RELIGION AND ECONOMY OF PUBLICITY IN JAMES,HENRY THE 'BOSTONIANS', American literary realism, 1870-1910, 29(3), 1997, pp. 15-25
Citation: J. Fulton, CARLYLE,THOMAS BUCKET OF BLOOD - NEW TWAIN,MARK MARGINALIA IN THE 'FRENCH REVOLUTION', American literary realism, 1870-1910, 29(3), 1997, pp. 49-63
Citation: S. Jobe, JAMES,HENRY AND THE INNOCENCE OF DAISY-MILLER - A CORRECTED TEXT OF THE LETTER TO LINTON,ELIZA,LYNN, American literary realism, 1870-1910, 29(3), 1997, pp. 82-85
Citation: Ck. Lohmann, THE LITERARY CONTEXT OF CHOPIN,KATE THE 'AWAKENING' - GERMAN - VONHEYNITZ,B, American literary realism, 1870-1910, 29(3), 1997, pp. 86-87
Citation: Cp. Wilson, THE CAMBRIDGE COMPANION TO AMERICAN REALISM AND NATURALISM - HOWELLS TO LONDON - PIZER,D, American literary realism, 1870-1910, 29(3), 1997, pp. 88-89
Citation: K. Kinnamon, THE NATURALISTIC INNER-CITY NOVEL IN AMERICA - ENCOUNTERS WITH THE FAT MAN - GILES,JR, American literary realism, 1870-1910, 29(3), 1997, pp. 89-91