Citation: Ok. Werckmeister, THE ISLAMIC RIDER IN THE BEATUS OF GIRONA (ADAPTATION OF ISLAMIC MOTIF IN CHRISTIAN MANUSCRIPT ILLUMINATION OF EARLY-MEDIEVAL SPAIN), Gesta, 36(2), 1997, pp. 101
Citation: M. Meleromoneo, ICONOGRAPHY OF PETER,SAINT AND PAPAL PROP AGANDA IN GOTHIC PAINTING -PETER AND SIMON-MAGUS AS AN IMAGE OF THE CONFRONTATION BETWEEN THE AVIGNONESE POPE AND THE ROMAN ANTIPOPE, Gesta, 36(2), 1997, pp. 107
Citation: Jl. Senra, AN APPROACH TO THE LITURGICO-FUNERARY SPA CES IN CASTILLE AND LEON - PORTICOS AND GALILEAS (WESTERN FACADE-STRUCTURES OF ROMANESQUE MONASTIC CHURCHES), Gesta, 36(2), 1997, pp. 122-144
Citation: J. Mann, ROMANTIC IDENTITY, NATIONALISM, AND THE UNDERSTANDING OF THE ADVENT OF ROMANESQUE ART IN CHRISTIAN SPAIN (THE CONTROVERSY BETWEEN ART HISTORIANS MALE,EMILE AND PORTER,ARTHUR,KINGSLEY), Gesta, 36(2), 1997, pp. 156-164
Citation: Sb. Montgomery, MITTITE-CAPUD-MEUM-AD-MATREM-MEAM-UT-OSCULETUR-EUM - THE FORM AND MEANING OF THE RELIQUARY BUST OF SAINT-JUST, Gesta, 36(1), 1997, pp. 48-64
Citation: K. Kogmanappel, THE EXODUS CYCLE FROM THE SARAJEVO HAGGAD AH - OBSERVATIONS ON THE WORK TECHNIQUES OF LATE-MEDIEVAL JEWISH ILLUMINATORS AND THEIR USE OF MODELS, Gesta, 35(2), 1996, pp. 111-127
Citation: Jc. Anderson, A 12TH-CENTURY LEAF FROM THE BYZANTINE COURTLY CIRCLE IN THE FREER-GALLERY-OF-ART (FREER-33.12) -THE-EVANGELIST AND LIST OF THE CHAPTERS OFHIS GOSPEL( PORTRAIT OF LUKE), Gesta, 35(2), 1996, pp. 142-148
Citation: Lr. Hoey, A PROBLEM IN ROMANESQUE AESTHETICS - THE ARTICULATION OF GROIN AND EARLY RIB VAULTS IN THE LARGER CHURCHES OF ENGLAND AND NORMANDY, Gesta, 35(2), 1996, pp. 156-176
Citation: F. Martin, THE ST-FRANCIS-MASTER IN THE UPPER CHURCH OF ST-FRANCESCO-ASSISI - SOME CONSIDERATIONS REGARDING HIS ORIGINS, Gesta, 35(2), 1996, pp. 177-191