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Results: 26-50/350
Authors:
FISCHER E
Citation: E. Fischer, THE THEATER OF WILSON,ROBERT - HOLMBERG,A, Modern drama, 41(1), 1998, pp. 177-178
Authors:
GOGGANS TH
Citation: Th. Goggans, LAYING BLAME - GENDER AND SUBTEXT IN MAMET,DAVID 'OLEANNA', Modern drama, 40(4), 1997, pp. 433-441
Authors:
FARFAN P
Citation: P. Farfan, FEMINISM, METATHEATRICALITY, AND MISE-EN-SCENE IN FORNES,MARIA,IRENE 'FEFU AND HER FRIENDS', Modern drama, 40(4), 1997, pp. 442-453
Authors:
KOLIN PC
Citation: Pc. Kolin, ITS ONLY A PAPER MOON - THE PAPER ONTOLOGIES IN WILLIAMS,TENNESSEE A 'STREETCAR NAMED DESIRE', Modern drama, 40(4), 1997, pp. 454-467
Authors:
MECHE JR
Citation: Jr. Meche, FEMALE VICTIMS AND THE MALE PROTAGONIST IN HAVEL,VACLAV DRAMA, Modern drama, 40(4), 1997, pp. 468-476
Authors:
REDONDO MS
Citation: Ms. Redondo, REALISM AND THE FEMALE SUBJECT IN RUDET,JACQUELINE 'BASIN', Modern drama, 40(4), 1997, pp. 477-488
Authors:
ARNDT S
Citation: S. Arndt, WERE ALL FREE TO DO AS WERE TOLD - GENDER AND IDEOLOGY IN STOPPARD,TOM THE 'REAL THING', Modern drama, 40(4), 1997, pp. 489-501
Authors:
TOMPKINS J
Citation: J. Tompkins, BREACHING THE BODY BOUNDARIES - ABJECTED SUBJECT POSITIONS IN POSTCOLONIAL DRAMA, Modern drama, 40(4), 1997, pp. 502-513
Authors:
SPLAWN PJ
Citation: Pj. Splawn, RE-IMAGINING THE BLACK WOMANS BODY IN DEVEAUX,ALEXIS THE 'TAPESTRY', Modern drama, 40(4), 1997, pp. 514-525
Authors:
SELMON M
Citation: M. Selmon, LIKE ... SO MANY SMALL THEATERS - THE PANOPTIC AND THE THEATRIC IN 'LONG DAYS JOURNEY INTO NIGHT', Modern drama, 40(4), 1997, pp. 526-539
Authors:
KUMAR KJ
Citation: Kj. Kumar, THE CHESS METAPHOR IN BECKETT,SAMUEL 'ENDGAME', Modern drama, 40(4), 1997, pp. 540-552
Authors:
LINGARD J
Citation: J. Lingard, A HISTORY OF SCANDINAVIAN THEATER - MARKER,FJ, MARKER,LL, Modern drama, 40(4), 1997, pp. 553-555
Authors:
BALAKIAN J
Citation: J. Balakian, UNDERSTANDING MILLER,ARTHUR - GRIFFIN,A, Modern drama, 40(4), 1997, pp. 555-556
Authors:
HEUVEL MV
Citation: Mv. Heuvel, THE EMERGENCE OF THE MODERN AMERICAN THEATER 1914-1929 - WAINSCOTT,RH, Modern drama, 40(4), 1997, pp. 556-558
Authors:
SHIMAKAWA K
Citation: K. Shimakawa, PERFORMING ASIAN AMERICA - RACE AND ETHNICITY ON THE CONTEMPORARY-STAGE - LEE,J, Modern drama, 40(4), 1997, pp. 558-560
Authors:
JENKINS A
Citation: A. Jenkins, RATTIGAN,TERENCE - A BIOGRAPHY - WANSELL,G, Modern drama, 40(4), 1997, pp. 560-561
Authors:
DAVY D
Citation: D. Davy, STRINDBERG UNKNOWN COMEDY + 'CRIMES AND CRIMES', Modern drama, 40(3), 1997, pp. 305-324
Authors:
COUSIN G
Citation: G. Cousin, REVISITING THE PROZOROVS + CHEKHOV, 'THREE SISTERS', Modern drama, 40(3), 1997, pp. 325-336
Authors:
CRANDELL GW
Citation: Gw. Crandell, MISREPRESENTATION AND MISCEGENATION - READING THE RACIALIZED DISCOURSE OF WILLIAMS,TENNESSEE A 'STREETCAR NAMED DESIRE', Modern drama, 40(3), 1997, pp. 337-346
Authors:
UPTON CA
Citation: Ca. Upton, VISIONS OF THE SIGHTLESS IN FRIEL 'MOLLY SWEENEY' AND SYNGE THE 'WELLOF THE SAINTS', Modern drama, 40(3), 1997, pp. 347-358
Authors:
KRAUSE D
Citation: D. Krause, THE FAILED WORDS OF FRIEL,BRIAN + 'MOLLY SWEENEY', 'WONDERFUL TENNESSEE', 'DANCING AT LUGHNASA', Modern drama, 40(3), 1997, pp. 359-373
Authors:
BARNETT C
Citation: C. Barnett, A PRISON OF OBJECT RELATIONS - KENNEDY,ADRIENNE 'FUNNYHOUSE OF A NEGRO', Modern drama, 40(3), 1997, pp. 374-384
Authors:
MCDONOUGH CJ
Citation: Cj. Mcdonough, GOD AND THE OWLS - THE SACRED AND THE PROFANE IN KENNEDY,ADRIENNE THE'OWL ANSWERS', Modern drama, 40(3), 1997, pp. 385-402
Authors:
GALLANT D
Citation: D. Gallant, BRECHTIAN SEXUAL POLITICS IN THE PLAYS OF BARKER,HOWARD, Modern drama, 40(3), 1997, pp. 403-413
Authors:
ADAMS AM
Citation: Am. Adams, THE SENSE OF AN ENDING - THE REPRESENTATION OF HOMOSEXUALITY IN BEHAN,BRENDAN THE 'HOSTAGE', Modern drama, 40(3), 1997, pp. 414-421