Citation: J. Cahill, NIHONGA PAINTERS IN THE NANGA TRADITION -STYLE PAINTING 1868-1968'( ASTUDY OF THE ARTISTS AND THEIR WORKS EXHIBITED IN 'NIHONGA, TRANSCENDING THE PAST, JAPANESE), Oriental art, 42(2), 1996, pp. 2-12
Citation: Fc. Reubi, TEN-BAMBOO-STUDIO STYLES OF THE ENGRAVINGS + A SELECTION OF PRINTS BYTHE ARTISTS WHO WORKED FOR THE STUDIO, Oriental art, 42(2), 1996, pp. 22-32
Citation: Kt. Lee et Sc. Hu, CHINESE LACQUER, 3 IMPORTANT PIECES AT THE ROYAL-MUSEUM-OF-SCOTLAND -DYNASTY EAR-CUP, A 4-LOBED OVAL DISH FROM THE YUAN-DYNASTY AND A TIANGI-PERIOD SQUARE-STAND( A HAN), Oriental art, 42(2), 1996, pp. 33-38
Citation: M. Henss, 'IMAGE OF MEN AND GODS' - NEW ARCHAEOLOGICAL FINDS FROM THE PEOPLES-REPUBLIC-OF-CHINA, 5000-220-BC, Oriental art, 42(2), 1996, pp. 50-52
Citation: S. Stack, REPORT FROM AMERICA -ASIAN-ART-FAIR IN NEW-YORK IN MARCH( GALLERY OPENINGS, THE 'SPLENDORS OF IMPERIAL CHINA' EXHIBITION AND THE INTERNATIONAL), Oriental art, 42(2), 1996, pp. 54
Citation: D. Swallow, THE NEW CAMBRIDGE HISTORY OF INDIA, VOL 1 PT 6, ARCHITECTURE AND ART OF SOUTHERN INDIA, VIJAYANAGARA AND THE SUCCESSOR STATES - MITCHELL,G, Oriental art, 42(2), 1996, pp. 72-72
Citation: Ep. Conant, 'NIHONGA, TRANSCENDING THE PAST', JAPANESE-STYLE PAINTING, 1868-1968 + SELECTED WORKS FROM THE EXHIBITION, Oriental art, 42(1), 1996, pp. 2-13
Citation: Jf. So, TO RESTORE OR NOT, A CASE-STUDY -BRONZE AXE BLADE, 12TH-11TH-CENTURY-BC AT THE ARTHUR-M-SACKLER-GALLERY( A CAST), Oriental art, 42(1), 1996, pp. 24-29
Citation: S. Stack, 'HARES-FUR, TORTOISESHELL AND PARTRIDGE FEATHERS' - CHINESE BROWN ANDBLACK GLAZED CERAMICS, 400-1400, Oriental art, 42(1), 1996, pp. 47-50