Citation: S. Stack, THE 'JADE STUDIO', MASTERPIECES OF MING AND QING PAINTING AND CALLIGRAPHY FROM THE WONG-NAN-PING-COLLECTION, Oriental art, 40(2), 1994, pp. 38-41
Citation: U. Wiesner, EAST-ASIAN ART -FUR-LACKKUNST IN MUNSTER IS DEDICATED TO EASTERN AND WESTERN LACQUER ART( THE NEWLY ESTABLISHED MUSEUM), Oriental art, 40(2), 1994, pp. 53-54
Citation: L. Borota, CZECH-REPUBLIC -GALLERY IN PRAGUE( AN INTRODUCTION TO THE ASIAN ARTS DEPARTMENT OF THE NATIONAL), Oriental art, 40(2), 1994, pp. 57-60
Citation: Yc. Cheng et al., SOURCES OF COBALT PIGMENT USED ON YUAN BLUE AND WHITE PORCELAIN WARES, CHINESE-ACADEMY-OF-SCIENCES, SHANGHAI-INSTITUTE-OF-CERAMICS, Oriental art, 40(1), 1994, pp. 14-19
Citation: V. Dofflemyer, DIVERSITY OF MEDIUM, FORM AND FUNCTION -AND-ELAINE-CONNELL-COLLECTIONOF THAI CERAMICS AT THE ASIAN-ART-MUSEUM IN SAN-FRANCISCO( ILLUSTRATED WARES FROM THE JAMES), Oriental art, 40(1), 1994, pp. 28-33
Citation: R. Kleiner, CHINESE SNUFF-BOTTLES -AND-GEORGE-BLOCH-COLLECTION AT THE HONG-KONG-MUSEUM-OF-ART( ILLUSTRATED ART FROM THE EXHIBITION OF THE MARY), Oriental art, 40(1), 1994, pp. 34-38
Citation: K. Bonansinga, THE 'FLOATING WORLD REVISITED' AT THE PORTLAND-ART-MUSEUM + PAINTINGS, PRINTS AND OBJECTS FROM THE EXHIBITION, Oriental art, 40(1), 1994, pp. 39-43