Citation: Kd. Pimple, SUBTLE-BUT-REMORSEFUL-HYPOCRITE - DIMMESDALES MORAL CHARACTER( HAWTHORNE,NATHANIEL THE 'SCARLET LETTER' ), Studies in the novel, 25(3), 1993, pp. 257-271
Citation: S. Bernstein, READING BLACKWATER-PARK - GOTHICISM, NARRATIVE, AND IDEOLOGY IN THE 'WOMAN IN WHITE'( COLLINS,WILKIE ), Studies in the novel, 25(3), 1993, pp. 291-305
Citation: R. Walsh, NARRATIVE INSCRIPTION, HISTORY AND THE READER IN COOVER,ROBERT THE 'PUBLIC BURNING', Studies in the novel, 25(3), 1993, pp. 332-346
Citation: J. Reed, NARRATIVE TRANSVESTISM - RHETORIC AND GENDER IN THE 18TH-CENTURY ENGLISH NOVEL - KAHN,M, Studies in the novel, 25(3), 1993, pp. 354-356
Citation: P. Odonnell, STRUCTURING THE VOID - THE STRUGGLE FOR THE SUBJECT IN CONTEMPORARY AMERICAN FICTION - KLINKOWITZ,J, Studies in the novel, 25(3), 1993, pp. 356-357
Citation: I. Grundy, THEIR FATHERS DAUGHTERS - MORE,HANNAH, EDGEWORTH,MARIA, AND PATRIARCHAL COMPLICITY - KOWALESKIWALLACE,E, Studies in the novel, 25(3), 1993, pp. 358-359
Citation: J. Engell, PRACTICING ROMANCE - NARRATIVE FORM AND CULTURAL ENGAGEMENT IN HAWTHORNE FICTION - MILLINGTON,RH, Studies in the novel, 25(3), 1993, pp. 360-363
Citation: J. Hauss, AUTHORSHIP AND AUDIENCE - LITERARY PERFORMANCE IN THE AMERICAN RENAISSANCE - RAILTON,S, Studies in the novel, 25(3), 1993, pp. 365-368