Citation: In. Rothman, COLERIDGE SUBMERGED POLITICS - THE 'ANCIENT MARINER' AND 'ROBINSON CRUSOE' - KEANE,PJ, Studies in the novel, 28(2), 1996, pp. 260-262
Citation: P. Marks, MON-PAUVRE-PRISONNIER, BECKY-SHARP AND THE TRIUMPH OF NAPOLEON + THACKERAY 'VANITY FAIR', Studies in the novel, 28(1), 1996, pp. 76-92
Citation: D. Berthold, MELVILLE AND REPOSE, THE RHETORIC OF HUMOR IN THE AMERICAN RENAISSANCE - BRYANT,J, Studies in the novel, 28(1), 1996, pp. 115-118
Citation: S. Enniss, RADICAL REPRESENTATIONS, POLITICS AND FORM IN UNITED-STATES PROLETARIAN FICTION, 1929-1941 - FOLEY,B, Studies in the novel, 28(1), 1996, pp. 122-123
Citation: K. Hager, SEEING TOGETHER, FRIENDSHIP BETWEEN THE SEXES IN ENGLISH WRITING, FROM MILL TO WOOLF - LUFTIG,V, Studies in the novel, 28(1), 1996, pp. 123-125
Citation: Dm. Bethea, HOLY FOOLISHNESS, DOSTOEVSKY NOVELS AND THE POETICS OF CULTURAL CRITIQUE - MURAV,H, Studies in the novel, 28(1), 1996, pp. 125-129
Citation: Ejw. Hinds, THE ROMANCE OF REAL-LIFE, BROWN,CHARLES,BROCKDEN AND THE ORIGINS OF AMERICAN CULTURE - WATTS,S, Studies in the novel, 28(1), 1996, pp. 138-139