Citation: Br. Burningham, BARBARIANS AT THE GATES - THE INVASIVE DISCOURSE OF MEDIEVAL PERFORMANCE IN LOPES 'ARTE NUEVO', Theatre journal (Washington, D.C.), 50(3), 1998, pp. 289-302
Citation: C. Canning, THE PLATFORM VERSUS THE STAGE - THE CIRCUIT CHAUTAUQUAS ANTITHEATRICAL THEATER, Theatre journal (Washington, D.C.), 50(3), 1998, pp. 303-318
Citation: Rf. Gross, 'FUHRMANN HENSCHEL' AND THE RUINS OF REALISM (THE PLAY OF HAUPTMANN,GERHART), Theatre journal (Washington, D.C.), 50(3), 1998, pp. 319-334
Citation: Tl. Underiner, INCIDENTS OF THEATER IN CHIAPAS, TABASCO, AND YUCATAN - CULTURAL ENACTMENTS IN MAYAN MEXICO, Theatre journal (Washington, D.C.), 50(3), 1998, pp. 349-369