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Results: 26-50/791
Authors:
MACKEY B
Citation: B. Mackey, PLAYWRIGHTS AND PLAGIARISTS IN EARLY-MODERN ENGLAND - GENDER, AUTHORSHIP, LITERARY PROPERTY - ROSENTHAL,LJ, Theatre journal (Washington, D.C.), 50(3), 1998, pp. 398-399
Authors:
PONNUSWAMI M
Citation: M. Ponnuswami, PERFORMING BRECHT - 40 YEARS OF BRITISH PERFORMANCES - EDDERSHAW,M, Theatre journal (Washington, D.C.), 50(3), 1998, pp. 400-401
Authors:
GALE SH
Citation: Sh. Gale, SIGHT UNSEEN - BECKETT, PINTER, STOPPARD, AND OTHER CONTEMPORARY DRAMATISTS ON RADIO - GURALNICK,ES, Theatre journal (Washington, D.C.), 50(3), 1998, pp. 401-402
Authors:
HURLEY E
Citation: E. Hurley, A SOCIOCRITIQUE OF TRANSLATION - THEATER AND ALTERITY IN QUEBEC, 1968-1988 - BRISSET,A, Theatre journal (Washington, D.C.), 50(3), 1998, pp. 402-403
Authors:
CARMONY J
Citation: J. Carmony, BEAUMARCHAIS AND THE THEATER - HOWARTH,WD, Theatre journal (Washington, D.C.), 50(3), 1998, pp. 403-405
Authors:
WILCOX D
Citation: D. Wilcox, SIGNS OF PERFORMANCE - AN INTRODUCTION TO 20TH-CENTURY THEATER - COUNSELL,C, Theatre journal (Washington, D.C.), 50(3), 1998, pp. 405-407
Authors:
WILCOX D
Citation: D. Wilcox, THE THEATER OF THE BAUHAUS - GROPIUS,W, WENSINGER,AS, Theatre journal (Washington, D.C.), 50(3), 1998, pp. 405-407
Authors:
DIECKMANN LE
Citation: Le. Dieckmann, EXPERIMENTAL THEATER - CREATING AND STAGING TEXTS - YORDON,JE, Theatre journal (Washington, D.C.), 50(3), 1998, pp. 407-409
Authors:
DIECKMANN LE
Citation: Le. Dieckmann, PERFORMANCE ANXIETIES - STAGING PSYCHOANALYSIS, STAGING RACE - PELLEGRINI,A, Theatre journal (Washington, D.C.), 50(3), 1998, pp. 407-409
Authors:
LEMASTER DJ
Citation: Dj. Lemaster, IN OTHER WORDS - WOMEN DIRECTORS SPEAK - MANFULL,H, Theatre journal (Washington, D.C.), 50(3), 1998, pp. 409-411
Authors:
LEMASTER DJ
Citation: Dj. Lemaster, IN CONTACT WITH THE GODS - DIRECTORS TALK THEATER - DELGADO,MM, HERITAGE,P, Theatre journal (Washington, D.C.), 50(3), 1998, pp. 409-411
Authors:
HENNEMAN DR
Citation: Dr. Henneman, ACTORS ON GUARD - A PRACTICAL GUIDE FOR THE USE OF RAPIER AND DAGGER FOR STAGE AND SCREEN - GIRARD,DA, Theatre journal (Washington, D.C.), 50(3), 1998, pp. 411-412
Authors:
SCHACHTER B
Citation: B. Schachter, WRITING WRONGS - THE WORK OF SHAWN,WALLACE - KING,WD, Theatre journal (Washington, D.C.), 50(3), 1998, pp. 412-413
Authors:
STRAND G
Citation: G. Strand, THEATER CULTURE IN AMERICA, 1825-1860 - BANK,R, Theatre journal (Washington, D.C.), 50(3), 1998, pp. 413-414
Authors:
CHANSKY D
Citation: D. Chansky, THE EMERGENCE OF THE MODERN AMERICAN THEATER 1914-1929 - WAINSCOTT,RH, Theatre journal (Washington, D.C.), 50(3), 1998, pp. 415-416
Authors:
MAKARYK IR
Citation: Ir. Makaryk, SHAKESPEARE RIGHT AND WRONG (UKRAINIAN DIRECTOR KURBAS,LES 1924 PRODUCTION OF 'MACBETH'), Theatre journal, 50(2), 1998, pp. 153-163
Authors:
KENNEDY D
Citation: D. Kennedy, SHAKESPEARE AND CULTURAL TOURISM, Theatre journal, 50(2), 1998, pp. 175-188
Authors:
KNOWLES RP
Citation: Rp. Knowles, FROM DREAM TO MACHINE - BROOK,PETER, LEPAGE,ROBERT, AND THE CONTEMPORARY SHAKESPEAREAN DIRECTOR AS (POST)MODERNIST, Theatre journal, 50(2), 1998, pp. 189-206
Authors:
HODGDON B
Citation: B. Hodgdon, REPLICATING RICHARD - BODY DOUBLES, BODY POLITICS, Theatre journal, 50(2), 1998, pp. 207-225
Authors:
HILL PG
Citation: Pg. Hill, DOCTORAL PROJECTS IN PROGRESS IN THEATER-ARTS, 1998, Theatre journal, 50(2), 1998, pp. 227-232
Authors:
CARLSON M
Citation: M. Carlson, SHAKESPEARE 'HAMLETAS', Theatre journal, 50(2), 1998, pp. 233-234
Authors:
RUDOLPH SJ
Citation: Sj. Rudolph, WARCHUS 'HAMLET', Theatre journal, 50(2), 1998, pp. 234-237
Authors:
WOLFF T
Citation: T. Wolff, LEPAGE 'ELSINORE', Theatre journal, 50(2), 1998, pp. 237-240
Authors:
DUNBAR J
Citation: J. Dunbar, SHAKESPEARE 'RICHARD III', Theatre journal, 50(2), 1998, pp. 240-242
Authors:
BAKER K
Citation: K. Baker, SHAKESPEARE 'MACBETH', Theatre journal, 50(2), 1998, pp. 242-246