Citation: THE ROME-LAWRENCE-AND-ROBERT-E.-LEE-RESEARCH-INSTITUTE PROUDLY COMMEMORATES WOODS,ALAN 25TH YEAR AT OSU, Theatre studies, (43), 1998, pp. 3-3
Citation: J. Harley, THE ART OF POLITICAL ENGAGEMENT - GOVERNMENTAL RESPONSES TO 'PARADISENOW' IN EUROPE AND AMERICA, Theatre studies, (43), 1998, pp. 39-50
Citation: C. Kline, ACTING IN PRIME-TIME, THE MATURE PERSONS GUIDE TO BREAKING INTO SHOW BUSINESS - CHAYEFSKY,T, Theatre studies, (43), 1998, pp. 69-71
Citation: La. Bentley, THE NEW-WORLD BORDER - PROPHESIES, POEMS AND LOQUERAS FOR THE END OF THE CENTURY - GOMEZPENA,G, Theatre studies, (43), 1998, pp. 73-74
Citation: M. Catlow, THE THEATREGOERS ALMANAC - A COLLECTION OF LISTS, PEOPLE, HISTORY ANDCOMMENTARY ON THE AMERICAN THEATER - HISCHAK,TS, Theatre studies, (43), 1998, pp. 74-76
Citation: A. Fliotsos, FROM VAUDEVILLE TO TALKIES - A CASE-STUDY IN OUR NATIONS CAPITAL, EARLE-THEATER, 1924-1928, Theatre studies, (42), 1997, pp. 20-32
Citation: B. Davis, LET THE CHILDREN SPEAK - THE 'PAGEANT OF SUNSHINE AND SHADOW', A CHILD LABOR PAGEANT BY MACKAY,CONSTANCE,DARCY, Theatre studies, (42), 1997, pp. 33-44
Citation: M. Mauldin, THE UNCERTAIN PATH TO DISCOVERY - AN EXAMINATION OF AVERROES CONCEPT OF UNCERTAINTY AS A CATALYST FOR EFFECTIVE AUDIENCE ENGAGEMENT, Theatre studies, (42), 1997, pp. 45-55
Citation: E. Kylanderclark, THE THEATRICAL CITY - CULTURE, THEATER AND POLITICS IN LONDON, 1576-1649 - BEVINGTON,D, SMITH,DL, STRIER,R, Theatre studies, (42), 1997, pp. 66-67