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Results: 101-125/158
Authors:
KUESTER DA
Citation: Da. Kuester, THE SIMPLE STAGE, ITS ORIGINS IN THE MODERN AMERICAN THEATER - FEINSOD,A, Theatre studies, (40), 1995, pp. 83-84
Authors:
FREEMAN R
Citation: R. Freeman, MELODRAMA AND THE MYTH OF AMERICA - MASON,JD, Theatre studies, (40), 1995, pp. 84-85
Authors:
MUNRO A
Citation: A. Munro, PLAYING BOAL, THEATER THERAPY ACTIVISM - SCHUTZMAN,M, COHENCRUZ,J, Theatre studies, (40), 1995, pp. 86-88
Authors:
MARKHAM C
Citation: C. Markham, THE ACTOR SPEAKS, ACTORS DISCUSS THEIR EXPERIENCES AND CAREERS - JEFFRI,J, Theatre studies, (40), 1995, pp. 88-89
Authors:
LANDRO V
Citation: V. Landro, SHATTERED APPLAUSE, THE LIVES OF LEGALLIENNE,EVA - SCHANKE,RA, Theatre studies, (40), 1995, pp. 89-90
Authors:
HOOD W
Citation: W. Hood, STEWART,ELLEN AND LA-MAMA, A BIOBIBLIOGRAPHY - HORN,BL, Theatre studies, (40), 1995, pp. 91-92
Authors:
GENDRICH C
Citation: C. Gendrich, CROSSING THE STAGE, CONTROVERSIES ON CROSS-DRESSING - FERRIS,L, Theatre studies, (40), 1995, pp. 92-93
Authors:
KRASNER D
Citation: D. Krasner, THE SYMBOLIC FUNCTION OF SLEEPING AND AWAKENING IN CHEKHOV 'UNCLE VANYA', Theatre studies, (39), 1994, pp. 5-18
Authors:
CONNER L
Citation: L. Conner, THE COMEDY OF PERCEPTION, MEYER,MARLANE 'KINGFISH', Theatre studies, (39), 1994, pp. 19-31
Authors:
EFFIONG PU
Citation: Pu. Effiong, THE SUBLIMINAL TO THE REAL, MUSICAL REGENERATION IN SHANAGE,NTOZAKE 'BOOGIE WOOGIE LANDSCAPES', Theatre studies, (39), 1994, pp. 33-43
Authors:
BLISS M
Citation: M. Bliss, PROPERTY OR PERFORMER, ANIMALS ON THE ELIZABETHAN STAGE, Theatre studies, (39), 1994, pp. 45-59
Authors:
CHIPMAN JS
Citation: Js. Chipman, NOT IN FRONT OF THE AUDIENCE - HOMOSEXUALITY ON STAGE - DEJONGH,NR, Theatre studies, (39), 1994, pp. 63-64
Authors:
ISTEL J
Citation: J. Istel, PERFORMANCE, CULTURE, AND IDENTITY - FINE,EC, SPEER,JH, Theatre studies, (39), 1994, pp. 64-67
Authors:
ISTEL J
Citation: J. Istel, GENDER IN PERFORMANCE - THE PRESENTATION OF DIFFERENCE IN THE PERFORMING ARTS - SENELICK,L, Theatre studies, (39), 1994, pp. 64-67
Authors:
BENDER F
Citation: F. Bender, PERFORMING FEMINISMS - FEMINIST CRITICAL-THEORY AND THEATER - CASE,SE, Theatre studies, (39), 1994, pp. 67-69
Authors:
BENDER F
Citation: F. Bender, MAKING A SPECTACLE - FEMINIST ESSAYS ON CONTEMPORARY WOMENS THEATER -HART,L, Theatre studies, (39), 1994, pp. 67-69
Authors:
MUNRO A
Citation: A. Munro, TO ALL APPEARANCES - IDEOLOGY AND PERFORMANCE - BLAU,H, Theatre studies, (39), 1994, pp. 69-71
Authors:
KING TA
Citation: Ta. King, PERFORMANCE AS POLITICAL ACT - THE EMBODIED SELF - MARTIN,R, Theatre studies, (39), 1994, pp. 71-73
Authors:
HARBECK J
Citation: J. Harbeck, THEATER AS SIGN-SYSTEM - A SEMIOTICS OF TEXT AND PERFORMANCE - ASTON,E, SAVONA,G, Theatre studies, (39), 1994, pp. 73-74
Authors:
MUNRO A
Citation: A. Munro, THEATRICAL PRESENTATION - PERFORMER, AUDIENCE AND ACT - BECKERMAN,B, Theatre studies, (39), 1994, pp. 75-76
Authors:
JOHNSON D
Citation: D. Johnson, THE PROCESS OF DRAMA - NEGOTIATING ART AND MEANING - OTOOLE,J, Theatre studies, (39), 1994, pp. 76-77
Authors:
WUNDER T
Citation: T. Wunder, FROM CLASS TO CASTE IN AMERICAN DRAMA - POLITICAL AND SOCIAL THEMES SINCE THE 1930S - SCHARINE,RG, Theatre studies, (39), 1994, pp. 78-79
Authors:
ROSE B
Citation: B. Rose, EUROPEAN THEATER 1960-1990 - YARROW,R, Theatre studies, (39), 1994, pp. 79-80
Authors:
LENZ K
Citation: K. Lenz, THE 1ST ENGLISH ACTRESSES - HOWE,E, Theatre studies, (39), 1994, pp. 80-82
Authors:
KORENDEUTSCH I
Citation: I. Korendeutsch, THE JAMAICAN STAGE 1655-1900 - PROFILE OF A COLONIAL THEATER - HILL,E, Theatre studies, (39), 1994, pp. 82-84