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Results: 1-25/40
MAKING MAN HAPPY IS A PAINFUL TASK - VILAR,JEAN THEATER-NATIONAL-POPULAIRE AND THE PRESS (1951-1963)
Authors:
PLASSARD D
Citation: D. Plassard, MAKING MAN HAPPY IS A PAINFUL TASK - VILAR,JEAN THEATER-NATIONAL-POPULAIRE AND THE PRESS (1951-1963), Revue d'histoire du theatre, 50(2), 1998, pp. 101-128
Authors:
AMIARDCHEVREL C
Citation: C. Amiardchevrel, VITEZ,ANTOINE AT THE THEATER-NATIONAL-DE-CHAILLOT (1981-1988) AND THECRITICS, Revue d'histoire du theatre, 50(2), 1998, pp. 129-152
Authors:
CAMISSOGO B
Citation: B. Camissogo, COMMITMENT IN CONTEMPORARY BRITISH THEATER - AN ADMISSION OF FAILURE, Revue d'histoire du theatre, 50(2), 1998, pp. 153-168
Authors:
ENGELBRECHTS M
Citation: M. Engelbrechts, THEATER AND OPPRESSION IN 'CATASTROPHE' BY BECKETT,SAMUEL - MODERNISTREFLECTIVITY AND POLITICAL REFERENCE, Revue d'histoire du theatre, 50(2), 1998, pp. 169-190
Authors:
BARON P
Citation: P. Baron, LETTERS FROM GEMIER,FIRMIN TO ANTOINE,AND RE, Revue d'histoire du theatre, 50(1), 1998, pp. 5-37
Authors:
MONTILLET L
Citation: L. Montillet, MISE-EN-SCENE, OR HOW TO PUT A PLAY ON ST AGE ACCORDING TO ANTOINE,ANDRE, Revue d'histoire du theatre, 50(1), 1998, pp. 38-44
Authors:
BEDENEAU M
Citation: M. Bedeneau, COPEAU,JACQUES AND ANTOINE,ANDRE - A SHAR ED IDEAL FOR THE THEATER, Revue d'histoire du theatre, 50(1), 1998, pp. 45-52
Authors:
ACHART T
GAUVIN H
Citation: T. Achart et H. Gauvin, GEMIER,FIRMIN AND ENTERTAINMENT FOR THE P UBLIC - A MISCONCEPTION TO CORRECT, Revue d'histoire du theatre, 50(1), 1998, pp. 53-56
Authors:
LEVAILLANT J
Citation: J. Levaillant, GHEON,HENRI, THE GENESIS OF A THEATRICAL AESTHETIC, Revue d'histoire du theatre, 50(1), 1998, pp. 57-68
Authors:
ANGELOPOULOS A
Citation: A. Angelopoulos, STREHLER,GIORGIO, TRADITION AND CHANGE IN CONTEMPORARY MISE-EN-SCENE, Revue d'histoire du theatre, 50(1), 1998, pp. 69-78
Authors:
ANGELOPOULOS A
Citation: A. Angelopoulos, THE 1001 STAGES OF THE WORLD IN THE STAGE SETS OF STREHLER,GIORGIO, Revue d'histoire du theatre, 50(1), 1998, pp. 79-89
Authors:
GUIBERT N
Citation: N. Guibert, IN-MEMORIAM CHEVALLEY,SYLVIE (1908-1997), Revue d'histoire du theatre, 50(1), 1998, pp. 91-92
Authors:
POULOSKY LJ
Citation: Lj. Poulosky, THE REPRESENTATION OF THE TRAGIC COUPLE I N 20TH-CENTURY FRENCH THEATER - ONDINE AND HANS IN GIRAUDOUX,JEAN 'ONDINE', INES AND PEDRO IN MONTHERLANT,HENRY,DE LA 'REINE MORTE', AND ANTIGONE AND HEMON IN ANOUILH,JEAN 'ANTIGONE', Revue d'histoire du theatre, 49(4), 1997, pp. 293-316
Authors:
MACEBARBIER N
Citation: N. Macebarbier, THE USE OF MISES-EN-ABYME IN THE BREATH-T AKING STRUCTURE OF IONESCO,EUGENE 'IMPROMPTU DE LALMA', Revue d'histoire du theatre, 49(4), 1997, pp. 317-333
Authors:
PIACENTINI G
Citation: G. Piacentini, CORNEILLE,PIERRE AND MUSSET,ALFRED,DE AND THEIR DISPUTE OVER VIRTUE -REMARKS CONCERNING 'CINNA' AND 'LORENZACCIO', Revue d'histoire du theatre, 49(4), 1997, pp. 335-344
Authors:
MARTIN I
Citation: I. Martin, THEATER WARS IN PARIS, THEIR ORIGINS AND DEVELOPMENT - THE THEATER-DE-LA-FOIRE, THE COMEDIE-FRANCAISE, THE CONFRERES-DE-LA-PASSION - INTERESTS, RIGHTS, CONTRADICTIONS AND PRIVILEGES, Revue d'histoire du theatre, 49(4), 1997, pp. 345-355
Authors:
SCHERER C
Citation: C. Scherer, RESEARCH ON THE THEATER AND DOCUMENTATION IN THE BIBLIOTHEQUE-GASTON-BATY (FINAL PART), Revue d'histoire du theatre, 49(4), 1997, pp. 356-375
Authors:
BOQUET G
Citation: G. Boquet, THE ART-THEATER, A 20TH-CENTURY EUROPEAN ADVENTURE - FRENCH - DUSIGNE,JF, Revue d'histoire du theatre, 49(4), 1997, pp. 376-378
FAIRY PLAYS IN OPERA - STAGE SETS, COSTUM ES AND MACHINES IN FRANCE, 1645-1765 - FRENCH - LAGORCE,JD
Authors:
CHRISTOUT MF
Citation: Mf. Christout, FAIRY PLAYS IN OPERA - STAGE SETS, COSTUM ES AND MACHINES IN FRANCE, 1645-1765 - FRENCH - LAGORCE,JD, Revue d'histoire du theatre, 49(4), 1997, pp. 378-379
Authors:
MOUDOUES RM
Citation: Rm. Moudoues, THE MODERN STAGE - FRENCH - LISTA,G, Revue d'histoire du theatre, 49(4), 1997, pp. 378-378
Authors:
CHRISTOUT MF
Citation: Mf. Christout, THE BALLET OF THE ENLIGHTENMENT - THE EST ABLISHMENT OF THE BALLET DACTION IN FRANCE, 1770-1793 - GUEST,I, Revue d'histoire du theatre, 49(4), 1997, pp. 379-380
Authors:
MOUDOUES RM
Citation: Rm. Moudoues, THE BERNHARDT HAMLET - CULTURE AND CONTEX T - TARONOW,G, Revue d'histoire du theatre, 49(4), 1997, pp. 381-381
Authors:
DETHURENS P
Citation: P. Dethurens, 'FAUST' BY PESSOA,FERNANDO - A THEATRICAL EXPLORATION OF THE ABSOLUTE, Revue d'histoire du theatre, 49(3), 1997, pp. 197-234
Authors:
LETZTER J
ADELSON R
Citation: J. Letzter et R. Adelson, DRAMA OF THWARTED AMBITION - THE OPERA OF CHARRIERE,ISABELLE,DE (ZUYLEN,BELLE,DE), Revue d'histoire du theatre, 49(3), 1997, pp. 235-254
Authors:
GEORGES A
Citation: A. Georges, THE CONFLICT BETWEEN HUMAN-NATURE AND GRA CE IN POLYEUCTE BEFORE HIS BAPTISM (THE THOUGHT OF AUGUSTINE AND 17TH-CENTURY FRENCH THEOLOGIANS IN CORNEILLE,PIERRE 'POLYEUCTE'), Revue d'histoire du theatre, 49(3), 1997, pp. 255-270