Citation: D. Plassard, MAKING MAN HAPPY IS A PAINFUL TASK - VILAR,JEAN THEATER-NATIONAL-POPULAIRE AND THE PRESS (1951-1963), Revue d'histoire du theatre, 50(2), 1998, pp. 101-128
Citation: C. Amiardchevrel, VITEZ,ANTOINE AT THE THEATER-NATIONAL-DE-CHAILLOT (1981-1988) AND THECRITICS, Revue d'histoire du theatre, 50(2), 1998, pp. 129-152
Citation: M. Engelbrechts, THEATER AND OPPRESSION IN 'CATASTROPHE' BY BECKETT,SAMUEL - MODERNISTREFLECTIVITY AND POLITICAL REFERENCE, Revue d'histoire du theatre, 50(2), 1998, pp. 169-190
Citation: T. Achart et H. Gauvin, GEMIER,FIRMIN AND ENTERTAINMENT FOR THE P UBLIC - A MISCONCEPTION TO CORRECT, Revue d'histoire du theatre, 50(1), 1998, pp. 53-56
Citation: Lj. Poulosky, THE REPRESENTATION OF THE TRAGIC COUPLE I N 20TH-CENTURY FRENCH THEATER - ONDINE AND HANS IN GIRAUDOUX,JEAN 'ONDINE', INES AND PEDRO IN MONTHERLANT,HENRY,DE LA 'REINE MORTE', AND ANTIGONE AND HEMON IN ANOUILH,JEAN 'ANTIGONE', Revue d'histoire du theatre, 49(4), 1997, pp. 293-316
Citation: N. Macebarbier, THE USE OF MISES-EN-ABYME IN THE BREATH-T AKING STRUCTURE OF IONESCO,EUGENE 'IMPROMPTU DE LALMA', Revue d'histoire du theatre, 49(4), 1997, pp. 317-333
Citation: G. Piacentini, CORNEILLE,PIERRE AND MUSSET,ALFRED,DE AND THEIR DISPUTE OVER VIRTUE -REMARKS CONCERNING 'CINNA' AND 'LORENZACCIO', Revue d'histoire du theatre, 49(4), 1997, pp. 335-344
Citation: I. Martin, THEATER WARS IN PARIS, THEIR ORIGINS AND DEVELOPMENT - THE THEATER-DE-LA-FOIRE, THE COMEDIE-FRANCAISE, THE CONFRERES-DE-LA-PASSION - INTERESTS, RIGHTS, CONTRADICTIONS AND PRIVILEGES, Revue d'histoire du theatre, 49(4), 1997, pp. 345-355
Citation: C. Scherer, RESEARCH ON THE THEATER AND DOCUMENTATION IN THE BIBLIOTHEQUE-GASTON-BATY (FINAL PART), Revue d'histoire du theatre, 49(4), 1997, pp. 356-375
Citation: Mf. Christout, FAIRY PLAYS IN OPERA - STAGE SETS, COSTUM ES AND MACHINES IN FRANCE, 1645-1765 - FRENCH - LAGORCE,JD, Revue d'histoire du theatre, 49(4), 1997, pp. 378-379
Citation: Mf. Christout, THE BALLET OF THE ENLIGHTENMENT - THE EST ABLISHMENT OF THE BALLET DACTION IN FRANCE, 1770-1793 - GUEST,I, Revue d'histoire du theatre, 49(4), 1997, pp. 379-380
Citation: J. Letzter et R. Adelson, DRAMA OF THWARTED AMBITION - THE OPERA OF CHARRIERE,ISABELLE,DE (ZUYLEN,BELLE,DE), Revue d'histoire du theatre, 49(3), 1997, pp. 235-254
Citation: A. Georges, THE CONFLICT BETWEEN HUMAN-NATURE AND GRA CE IN POLYEUCTE BEFORE HIS BAPTISM (THE THOUGHT OF AUGUSTINE AND 17TH-CENTURY FRENCH THEOLOGIANS IN CORNEILLE,PIERRE 'POLYEUCTE'), Revue d'histoire du theatre, 49(3), 1997, pp. 255-270