Citation: C. Scherer, THEATRICAL RESEARCH AND DOCUMENTATION IN THE BIBLIOTHEQUE-GASTON-BATY(CONTINUED), Revue d'histoire du theatre, 49(3), 1997, pp. 271-285
Citation: P. Alexandre, THE LIQUID ELEMENT IN THEATRICAL REPRESEN TATION - WATER AND BLOOD INCLAUDEL,PAUL TRANSLATION OF AESCHYLUS'ORESTIE', Revue d'histoire du theatre, 49(2), 1997, pp. 101-110
Citation: F. Leroygarioud, DELPECH,JEAN (1916-1988), PAINTER AND ENG RAVER, STAGE AND COSTUME-DESIGNER FOR JOLIVET,SIMONE 1945 PARIS PRODUCTION OF LE 'ROI LEAR', Revue d'histoire du theatre, 49(2), 1997, pp. 125-136
Citation: C. Guillot, IMAGE AND THEATRICAL REPRESENTATION - BOS SE,A. FRONTISPIECE FOR TRISTAN-LHERMITE 'MARIANE', Revue d'histoire du theatre, 49(2), 1997, pp. 151-162
Citation: Me. Plagnoldieval, THE 'PROVERBES DRAMATIQUES' BY CARMONTELL E - REFLECTIONS OF SOCIETY AND PARLOR GAMES, Revue d'histoire du theatre, 49(2), 1997, pp. 163-178
Citation: M. Corvin, A MEMORIAL TRIBUTE TO SCHERER,JACQUES, TH E CREATOR OF THEATRICAL STUDIES IN FRANCE, Revue d'histoire du theatre, 49(2), 1997, pp. 179-180
Citation: C. Scherer, BIBLIOGRAPHY OF MANUSCRIPTS IN THE FIELD OF THEATRICAL RESEARCH AND DOCUMENTATION AT THE BIBLIOTHEQUE-GASTON-BATY, Revue d'histoire du theatre, 49(2), 1997, pp. 181-188
Citation: Je. Mwantuali, ANOUILH,JEAN AND HUMANITY - 'PAUVRE BITOS ' AS A MIRROR OF FRENCH SOCIETY, Revue d'histoire du theatre, 49(1), 1997, pp. 55-68
Citation: Cp. Marie, THE HONOR OF GOD OR THE TEMPTATION OF THE ABSOLUTE IN ANOUILH,JEAN 'BECKET OU LHONNEUR DE DIEU', Revue d'histoire du theatre, 49(1), 1997, pp. 79-93