Citation: Jf. Hamilton, THE GENDERING OF SPACE IN CHATEAUBRIAND COMBOURG - ARCHETYPAL ARCHITECTURE AND PATRIARCHAL OBJECT, Symposium, 50(2), 1996, pp. 101-113
Citation: E. Sklodowska, NO-VAYAS-A-CREERME-SANTA, VISUAL DOMINATI ON AND NARRATIVE CONTROL IN'SANTA' BY GAMBOA,FEDERICO, Symposium, 50(2), 1996, pp. 114-131
Citation: S. Behar, BELEN, GOURME-ET-GOURMANDISES - ('MEMOIRES DUNE LISEUSE DE DRAPS' OR NEO-SURREALISM DURING THE 70S IN THE WRITINGS OF KAPLAN,NELLY( WOMENS SU RREALIST WRITING ), Symposium, 50(1), 1996, pp. 3-15
Citation: A. Cowell, FEMININE SEMIOTICS AND MASCULINE DESIRES - 'COURTOIS DARRAS' AND THE PROPER MALE READER IN THE MIDDLE-AGES( MEDIEVAL FRENCH DRAMA ), Symposium, 50(1), 1996, pp. 16-27
Citation: B. Knapp, THE ARCHETYPAL WOMAN FULFILLED - ISIS, HARMONY OF FLESH, SPIRIT, LOGOS( ANCIENT EGYPTIAN RELIGION ), Symposium, 50(1), 1996, pp. 28-39
Citation: Pp. Brodsky, DRESSED LIKE A SOLDIER - WORLD-WAR-II IN CENTRAL-EUROPE IN 2 GDR NOVELS( KANT, HERMANN, MULLER,ARMIN ), Symposium, 49(4), 1996, pp. 250-261
Citation: Gd. Ferrari, REPRESENTING ABSENCE - THE POWER OF METAFICTION IN ROUBAUD,JACQUES LE'GRAND INCENDIE DE LONDRES', Symposium, 49(4), 1996, pp. 262-273
Citation: Me. Bloom, STAGING THE EXECUTION OF LOUIS-XVI AND TUSSAUD,MADAME, VILLIERSDELISLEADAM LES 'PHANTASMES DE M. REDOUX', Symposium, 49(3), 1995, pp. 190-202