Citation: G. Dasgupta, ITALIAN NOTES - STREHLER, FO, AND THE VENICE-BIENNALE (THE ARTS IN ITALIAN SOCIETY AND CULTURE, THE CURRENT SCENE), PAJ, (58), 1998, pp. 26-37
Citation: D. Chin et L. Qualls, TO MARKET, TO MARKET (A SURVEY OF THE FILMS PRESENTED AT THE 35TH NEW-YORK-FILM-FESTIVAL AND THE 19TH INDEPENDENT-FEATURE-FILM-MARKET IN NEW-YORK), PAJ, (58), 1998, pp. 38-43
Citation: Jw. Duckett, THE ACAPULCO-BLACK-FILM-FESTIVAL (HIGHLIGHTS OF THE FIRST FESTIVAL PRESENTING BLACK INDEPENDENT FILMS), PAJ, (58), 1998, pp. 44-47
Citation: E. Gould, PENCILED IN PARIS - LE FESTIVAL-DE-NOS-VACANCES-PARISIENNES (HIGHLIGHTS OF THE MULTICULTURAL SPECTACLES OFFERED AT THIS YEARS SUMMER THEATER FESTIVAL HELD FROM JULY-14 TO AUGUST-15 1997), PAJ, (58), 1998, pp. 48-54
Citation: Rc. Morgan, THE STORY OF THE OTHER (A SURVEY OF EXHIBITING ARTISTS AT THE 4TH BIENNIAL, L 'AUTRE', CURATED BY SZEEMANN,HARALD AT LHALLE-TONY-GARNIER, SUMMER 1997), PAJ, (58), 1998, pp. 55-60
Citation: J. Dalton, FISHER,EBON 'ALULA DIMENSION' (MEDIA ORGANISMS, ARTIFICIAL LIFE FORMSCULTIVATED IN THE PLASMA OF POPULAR-CULTURE), PAJ, (58), 1998, pp. 62-70