Citation: B. Nettl, IDEAS ABOUT MUSIC AND MUSICAL THOUGHT, ETHNOMUSICOLOGICAL PERSPECTIVES, The Journal of aesthetic education, 30(2), 1996, pp. 173-187
Citation: Cp. Richardson, UNDERSTANDING THE CRITICAL PROCESS, A MODEL OF THE MUSIC CRITICS THOUGHT, The Journal of aesthetic education, 30(1), 1996, pp. 51-61
Citation: Em. Delacruz, APPROACHES TO MULTICULTURALISM IN ART EDUCATION CURRICULUM PRODUCTS -BUSINESS AS USUAL, The Journal of aesthetic education, 30(1), 1996, pp. 85-97
Citation: M. Brown, ART AFTER PHILOSOPHY AND AFTER, COLLECTED WRITINGS, 1966-1990 - KOSUTH,J, The Journal of aesthetic education, 30(1), 1996, pp. 118-120
Citation: Mb. Spychiger, RATIONALES FOR MUSIC-EDUCATION - A VIEW FROM THE PSYCHOLOGY OF EMOTION, The Journal of aesthetic education, 29(4), 1995, pp. 53-63
Citation: Ma. Sullivan, READER-RESPONSE, CONTEMPORARY AESTHETICS, AND THE ADOLESCENT READER, The Journal of aesthetic education, 29(4), 1995, pp. 79-93
Citation: L. Goehr, MUSIC-EDUCATION AND THE ART OF PERFORMANCE IN THE GERMAN BAROQUE - BUTT,J, The Journal of aesthetic education, 29(4), 1995, pp. 110-112
Citation: S. Ross, PHILOSOPHER, TEACHER, MUSICIAN, PERSPECTIVES ON MUSIC-EDUCATION - JORGENSEN,ER, The Journal of aesthetic education, 29(4), 1995, pp. 113-115