Citation: J. Chanda, THE POSSIBILITIES AND LIMITATIONS OF CROSS-CULTURAL UNDERSTANDING + BLOCKER ON PRIMITIVE ART, The Journal of aesthetic education, 29(3), 1995, pp. 34-37
Citation: R. Abiodun, THE DICHOTOMY OF THEORY AND PRACTICE, BLOCKER THE 'AESTHETICS OF PRIMITIVE ART', The Journal of aesthetic education, 29(3), 1995, pp. 38-44
Citation: Hg. Blocker, REPLY TO CRITICS + GARNER,RICHARD, MAQUET,JACQUES, CHANDA,JACQUELINE,AND ABIODUN,ROWLAND, The Journal of aesthetic education, 29(3), 1995, pp. 44-53
Citation: Ev. Stubley, THE PERFORMER, THE SCORE, THE WORK, MUSICAL PERFORMANCE AND TRANSACTIONAL READING, The Journal of aesthetic education, 29(3), 1995, pp. 55-69
Citation: D. Pariser, NOT UNDER THE LAMPPOST, PIAGETIAN AND NEO-PIAGETIAN RESEARCH IN THE ARTS - A REVIEW AND CRITIQUE, The Journal of aesthetic education, 29(3), 1995, pp. 93-108
Citation: R. Berman, HOLLYWOOD VERSUS AMERICA, POPULAR-CULTURE AND THE WAR ON TRADITIONAL VALUES - MEDVED,M, The Journal of aesthetic education, 29(3), 1995, pp. 113-117
Citation: G. Geahigan, THE INTELLIGENT EYE, LEARNING TO THINK BY LOOKING AT ART - PERKINS,DN, The Journal of aesthetic education, 29(3), 1995, pp. 117-119
Citation: S. Addiss, THE PAINTERS PRACTICE, HOW ARTISTS LIVED AND WORKED IN TRADITIONAL CHINA - CAHILL,J, The Journal of aesthetic education, 29(3), 1995, pp. 121-122
Citation: Sl. Feagin, PHILOSOPHY AND ART EDUCATION + VARIOUS ASPECTS OF EATON,MARCIA THOUGHT, The Journal of aesthetic education, 29(2), 1995, pp. 7-14
Citation: G. Iseminger, AESTHETICISM AND THE INSTITUTIONAL TURN + THE PHILOSOPHY OF EATON,MARCIA, The Journal of aesthetic education, 29(2), 1995, pp. 14-18