Citation: D. Best, THE DANGERS OF GENERIC ARTS, PHILOSOPHICAL CONFUSIONS AND POLITICAL EXPEDIENCY, The Journal of aesthetic education, 29(2), 1995, pp. 79-91
Citation: Kv. Mulcahy, PAYING THE PIPER - CAUSES AND CONSEQUENCES OF ART PATRONAGE - BALFE,JH, The Journal of aesthetic education, 29(2), 1995, pp. 119-120
Citation: E. Sankowski, AN AESTHETICS OF THE POPULAR ARTS - AN APPROACH TO THE POPULAR ARTS FROM THE AESTHETIC POINT-OF-VIEW - PARK,SB, The Journal of aesthetic education, 29(2), 1995, pp. 120-122
Citation: Ra. Smith, ON THE THIRD-REALM, INTEGRATED AND INTERDISCIPLINARY LEARNING IN ARTSEDUCATION, The Journal of aesthetic education, 29(1), 1995, pp. 1-4
Citation: Mg. Benton, FROM A 'RAKES PROGRESS' TO 'ROSIES WALK', LESSONS IN AESTHETIC READING, The Journal of aesthetic education, 29(1), 1995, pp. 33-46
Citation: Ra. Goodrich, THE SPECTATOR-PARTICIPANT DISTINCTION, AN IMPASSE FOR EDUCATIONAL LITERARY-THEORY, The Journal of aesthetic education, 29(1), 1995, pp. 47-60
Citation: Pj. Arnold, OBJECTIVITY, EXPRESSION, AND COMMUNICATION IN DANCE AS A PERFORMING ART, The Journal of aesthetic education, 29(1), 1995, pp. 61-68
Citation: Ra. Schwartz, YEATS HIGH MODERNISM AND DISNEY POSTMODERNISM, A CONTRAST IN IDEAL WORLDS, The Journal of aesthetic education, 29(1), 1995, pp. 79-84
Citation: H. Meynell, RELIGIOUS AESTHETICS - A THEOLOGICAL STUDY OF MAKING AND MEANING - BROWN,FB, The Journal of aesthetic education, 29(1), 1995, pp. 107-108