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Results:
1-21
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Results: 21
Authors:
SMALLEY D
Citation: D. Smalley, DEFINING TRANSFORMATIONS + CHANGES IN THE STATE OF SONIC IDENTITY, Interface, 22(4), 1993, pp. 279-300
Authors:
WISHART T
Citation: T. Wishart, FROM ARCHITECTURE TO CHEMISTRY -TRANSFORMATION( SOUND), Interface, 22(4), 1993, pp. 301-315
Authors:
HAJDU G
Citation: G. Hajdu, LOW-ENERGY AND EQUAL SPACING, THE MULTIFACTORIAL EVOLUTION OF TUNING SYSTEMS, Interface, 22(4), 1993, pp. 319-333
Authors:
DALFARRA R
JAFFE DA
Citation: R. Dalfarra et Da. Jaffe, AN INTERVIEW WITH JAFFE,DAVID,A., Interface, 22(4), 1993, pp. 335-347
Authors:
TARABELLA L
Citation: L. Tarabella, MAN-MACHINE INTERACTION IN LIVE PERFORMANCE - INTRODUCTION, Interface, 22(3), 1993, pp. 179-182
Authors:
SCHLOSS WA
JAFFE DA
Citation: Wa. Schloss et Da. Jaffe, INTELLIGENT MUSICAL-INSTRUMENTS - THE FUTURE OF MUSICAL PERFORMANCE OR THE DEMISE OF THE PERFORMER, Interface, 22(3), 1993, pp. 183-193
Authors:
POPE ST
Citation: St. Pope, REAL-TIME PERFORMANCE VIA USER INTERFACES TO MUSICAL STRUCTURES, Interface, 22(3), 1993, pp. 195-212
Authors:
DANNENBERG RB
Citation: Rb. Dannenberg, SOFTWARE-SUPPORT FOR INTERACTIVE MULTIMEDIA PERFORMANCE, Interface, 22(3), 1993, pp. 213-228
Authors:
TARABELLA L
Citation: L. Tarabella, REAL-TIME-CONCURRENT-PASCALMUSIC, Interface, 22(3), 1993, pp. 229-241
Authors:
BERTINI G
CAROSI P
Citation: G. Bertini et P. Carosi, LIGHT BATON SYSTEM, A SYSTEM FOR CONDUCTING COMPUTER MUSIC PERFORMANCE, Interface, 22(3), 1993, pp. 243-257
Authors:
BAILEY NJ
PURVIS A
BOWLER IW
MANNING PD
Citation: Nj. Bailey et al., APPLICATIONS OF THE PHASE VOCODER IN THE CONTROL OF REAL-TIME ELECTRONIC MUSICAL-INSTRUMENTS, Interface, 22(3), 1993, pp. 259-275
Authors:
CHOUVEL JM
Citation: Jm. Chouvel, MUSICAL FORM, FROM A MODEL OF HEARING TO AN ANALYTIC PROCEDURE, Interface, 22(2), 1993, pp. 99-117
Authors:
MESNAGE M
Citation: M. Mesnage, MORPHOSCOPE, A COMPUTER-SYSTEM FOR MUSIC ANALYSIS, Interface, 22(2), 1993, pp. 119-131
Authors:
TANGUIANE AS
Citation: As. Tanguiane, MUSIC RECOGNITION BASED ON ARTIFICIAL PERCEPTION APPROACH, Interface, 22(2), 1993, pp. 133-149
Authors:
AGMON E
Citation: E. Agmon, TOWARDS A THEORY OF DIATONIC INTONATION, Interface, 22(2), 1993, pp. 151-163
Authors:
CROSS I
Citation: I. Cross, THE CHINESE MUSIC BOX + MUSIC AND COGNITION, Interface, 22(2), 1993, pp. 165-172
Authors:
MIRANDA ER
Citation: Er. Miranda, CELLULAR AUTOMATA MUSIC, AN INTERDISCIPLINARY PROJECT, Interface, 22(1), 1993, pp. 3-21
Authors:
LITTLE D
Citation: D. Little, COMPOSING WITH CHAOS, APPLICATIONS OF A NEW SCIENCE FOR MUSIC, Interface, 22(1), 1993, pp. 23-51
Authors:
HAUS G
STIGLITZ A
Citation: G. Haus et A. Stiglitz, THE FUNCTIONAL PERFORMER SYSTEM, Interface, 22(1), 1993, pp. 53-75
Authors:
BORIO G
Citation: G. Borio, NEW TECHNOLOGY, NEW TECHNIQUES, THE AESTHETICS OF ELECTRONIC MUSIC INTHE 1950S, Interface, 22(1), 1993, pp. 77-87
Authors:
TARABELLA L
Citation: L. Tarabella, INTERNATIONAL WORKSHOP ON MAN-MACHINE-INTERACTION IN LIVE PERFORMANCE7-8 JUNE 1991 PISA,ITALY, Interface, 22(1), 1993, pp. 89-92
Risultati:
1-21
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