Citation: J. Wyatt, THE VIOLENCE OF GENDERING - CASTRATION IMAGES IN CARTER,ANGELA THE 'MAGIC TOYSHOP', THE 'PASSION OF NEW EVE', AND 'PETER AND THE WOLF', Women's studies, 25(6), 1996, pp. 549-570
Citation: C. Adams, SCENES OF SEDUCTION - PROSTITUTION, HYSTERIA AND READING DIFFERENCE IN 19TH-CENTURY FRANCE - MATLOCK,J, Women's studies, 25(6), 1996, pp. 641-643
Citation: R. Merrens, A NATURE OF INFINITE SENSE AND REASON, CAVENDISH,MARGARET NATURAL-PHILOSOPHY AND THE NOISE OF A FEMINIZED NATURE, Women's studies, 25(5), 1996, pp. 421-438
Citation: R. Stein, REMEMBERING THE SACRED TREE, BLACK-WOMEN, NATURE AND VOODOO IN HURSTON,ZORA,NEALE 'TELL MY HORSE' AND 'THEIR EYES WERE WATCHING GOD', Women's studies, 25(5), 1996, pp. 465-482
Citation: K. Hust, IN SUSPECT TERRAIN, WOLLSTONECRAFT,MARY CONFRONTS MOTHER-NATURE IN 'LETTERS WRITTEN DURING A SHORT RESIDENCE IN SWEDEN, NORWAY, AND DENMARK', Women's studies, 25(5), 1996, pp. 483-505
Citation: Dw. Shepherd, FROM THE PORCH OF THE COOLING SHED -STATE( CHILDHOOD REMINISCENCES OFVISITS TO MY GRANDPARENTS DAIRY FARM IN WASHINGTON), Women's studies, 25(5), 1996, pp. 507-511
Citation: A. Kothe, WHOSE LETTER IS IT, ANYWAY - PRINT, AUTHORITY, AND GENDER IN THE PUBLICATION OF SOR JUANA 'CARTA ATENAGORICA', Women's studies, 25(4), 1996, pp. 351-359
Citation: K. Flanagan, AFRICAN FOLK TALES AS DISRUPTIONS OF NARRATIVE IN THE WORKS OF OGOT,GRACE AND HUXLEY,ELSPETH, Women's studies, 25(4), 1996, pp. 371-384