Citation: F. Pohl et M. Bentivoglio, BENTIVOGLIO,MIRELLA - DISMANTLING IMAGES OF POWER IN ITALY( AN INTERVIEW ), Women's studies, 25(3), 1996, pp. 239-268
Citation: C. Lappas, SEEING-IS-BELIEVING-BUT-TOUCHING-IS-THE-TRUTH -STORY FOR THE SCREEN -FEMALE SPECTATORSHIP AND SEXUALITY IN THE 'COMPANY OF WOLVES'( CARTERREWORKING OF HER SHORT), Women's studies, 25(2), 1996, pp. 115-135
Citation: M. Fabe, DEREN,MAYA FATAL ATTRACTION - A PSYCHOANALYTIC READING OF 'MESHES OF THE AFTERNOON' WITH A PSYCHO-BIOGRAPHICAL AFTERWORD, Women's studies, 25(2), 1996, pp. 137-152
Citation: K. Worthy, EMISSARIES OF DIFFERENCE + BAHR HICKENLOOPER 1991 DOCUMENTARY ABOUT THE MAKING OF 'APOCALYPSE NOW' - CONRAD, COPPOLA, AND 'HEARTS OF DARKNESS'/, Women's studies, 25(2), 1996, pp. 153-167
Citation: Ly. Kamitaki, ROMANCE AND THE YELLOW-PERIL - RACE, SEX, AND DISCURSIVE STRATEGIES IN HOLLYWOOD FICTION - MARCHETTI,G, Women's studies, 25(2), 1996, pp. 205-207
Citation: M. Albrinck, HOW-CAN-A-SISTER-SEE-SAINT-THERESE-SUITABLY - DIFFICULTIES IN STAGINGSTEIN,GERTRUDE 'FOUR SAINTS IN THREE ACTS', Women's studies, 25(1), 1995, pp. 1-22
Citation: M. Titus, A-LITTLE-STOLEN-HOLIDAY - PORTER,KATHERINE,ANNE NARRATIVE OF THE WOMAN ARTIST( 'HOLIDAY' ), Women's studies, 25(1), 1995, pp. 73-93