Citation: Lp. Austern, NATURE, CULTURE, MYTH, AND THE MUSICIAN IN EARLY-MODERN ENGLAND, Journal of the American Musicological Society, 51(1), 1998, pp. 1-47
Citation: Km. Knittel, WAGNER, DEAFNESS, AND THE RECEPTION OF BEETHOVEN LATE STYLE, Journal of the American Musicological Society, 51(1), 1998, pp. 49-82
Citation: A. Fauser, LA GUERRE-EN-DENTELLES - WOMEN AND THE PRIX DE ROME IN FRENCH CULTURAL POLITICS (BOULANGER,LILI, TOUTAIN,JULIETTE, FLEURY,HELENE AND BOULANGER,NADIA), Journal of the American Musicological Society, 51(1), 1998, pp. 83-129
Citation: D. Wong, RUNNING WITH THE DEVIL - POWER, GENDER, AND MADNESS IN HEAVY-METAL MUSIC - WALSER,R, Journal of the American Musicological Society, 51(1), 1998, pp. 148-158
Citation: S. Huebner, MUSIC-CRITICISM IN 19TH-CENTURY FRANCE - 'LA REVUE ET GAZETTE MUSICALE DE PARIS', 1834-80 - ELLIS,K, Journal of the American Musicological Society, 51(1), 1998, pp. 163-168
Citation: P. Mccreless, AESTHETICS AND THE ART OF MUSICAL COMPOSITION IN THE GERMAN ENLIGHTENMENT - SELECTED-WRITINGS OF SULZER,JOHANN,GEORG AND KOCH,HEINRICH,CHRISTOPH - BAKER,NK, CHRISTENSEN,T, Journal of the American Musicological Society, 51(1), 1998, pp. 169-182
Citation: D. Fuller, OPERA OMNIA, VOL 2 'PIECES DE CLAVECIN EN CONCERTS' - FRENCH - HERLIN,D, RAMEAU,JP, Journal of the American Musicological Society, 51(1), 1998, pp. 183-190
Citation: R. Will, TIME, MORALITY, AND HUMANITY IN BEETHOVEN 'PASTORAL SYMPHONY', Journal of the American Musicological Society, 50(2-3), 1997, pp. 271-329
Citation: M. Solomon, ECONOMIC CIRCUMSTANCES OF THE BEETHOVEN HOUSEHOLD IN BONN, Journal of the American Musicological Society, 50(2-3), 1997, pp. 331-351
Citation: K. Ellis, FEMALE PIANISTS AND THEIR MALE CRITICS IN 19TH-CENTURY PARIS, Journal of the American Musicological Society, 50(2-3), 1997, pp. 353-385
Citation: Me. Bonds, IDEALISM AND THE AESTHETICS OF INSTRUMENTAL MUSIC AND THE TURN OF THE19TH-CENTURY, Journal of the American Musicological Society, 50(2-3), 1997, pp. 387-420
Citation: M. Notley, VOLKSCONCERTE IN VIENNA AND LATE-19TH-CENTURY IDEOLOGY OF THE SYMPHONY, Journal of the American Musicological Society, 50(2-3), 1997, pp. 421-453
Citation: W. Frisch, THE 2ND PRACTICE OF 19TH-CENTURY TONALITY - KINDERMAN,W, KREBS,H, Journal of the American Musicological Society, 50(2-3), 1997, pp. 490-495
Citation: D. Crook, CROSS, SWORD, AND LYRE - SACRED MUSIC AT THE IMPERIAL COURT OF FERDINAND-II OF HABSBURG (1619-1637) - SAUNDERS,S, Journal of the American Musicological Society, 50(2-3), 1997, pp. 495-502
Citation: D. Brackett, CONCERT MUSIC, ROCK, AND JAZZ SINCE 1945 - ESSAYS AND ANALYTICAL STUDIES - MARVIN,EW, HERMANN,R, Journal of the American Musicological Society, 50(2-3), 1997, pp. 507-519
Citation: A. Whittall, STRAVINSKY AND THE RUSSIAN TRADITIONS - A BIOGRAPHY OF THE WORKS THROUGH 'MARVA' - TARUSKIN,R, Journal of the American Musicological Society, 50(2-3), 1997, pp. 519-529