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Results: 51-75/157
Authors:
PERKINS LL
Citation: Ll. Perkins, THE RISE OF EUROPEAN MUSIC, 1380-1500 - STROHM,R, Journal of the American Musicological Society, 49(3), 1996, pp. 561-569
Authors:
GRAMIT D
Citation: D. Gramit, DISTANT CYCLES - SCHUBERT AND THE CONCEIVING OF SONG - KRAMER,R, Journal of the American Musicological Society, 49(3), 1996, pp. 569-580
Authors:
ROOT DL
Citation: Dl. Root, THE VOICES THAT ARE GONE - THEMES IN 19TH-CENTURY AMERICAN POPULAR SONG - FINSON,JW, Journal of the American Musicological Society, 49(3), 1996, pp. 580-589
Authors:
FULLER S
Citation: S. Fuller, DEFENDING THE 'DODECACHORDON' - IDEOLOGICAL CURRENTS IN GLAREAN MODAL-THEORY, Journal of the American Musicological Society, 49(2), 1996, pp. 191-224
Authors:
POWELL A
Citation: A. Powell, THE HOTTETERRE FLUTE - 6 REPLICAS IN SEARCH OF A MYTH, Journal of the American Musicological Society, 49(2), 1996, pp. 225-263
Authors:
AUNER JH
Citation: Jh. Auner, SCHOENBERG 'HANDEL CONCERTO' AND THE RUINS OF TRADITION, Journal of the American Musicological Society, 49(2), 1996, pp. 264-313
Authors:
BORDERS J
Citation: J. Borders, GOTHIC SONG - VICTORINE SEQUENCES AND AUGUSTINIAN REFORM IN 12TH-CENTURY PARIS - FASSLER,M, Journal of the American Musicological Society, 49(2), 1996, pp. 314-326
Authors:
MONSON I
Citation: I. Monson, NEW MUSICAL FIGURATIONS - BRAXTON,ANTHONY CULTURAL CRITIQUE - RADANO,RM, Journal of the American Musicological Society, 49(2), 1996, pp. 326-331
Authors:
SUGARMAN JC
Citation: Jc. Sugarman, MAY IT FILL YOUR SOUL - EXPERIENCING BULGARIAN MUSIC - RICE,T, Journal of the American Musicological Society, 49(2), 1996, pp. 332-343
Authors:
PAGE C
Citation: C. Page, READING AND REMINISCENCE - TINCTORIS,J. ON THE BEAUTY OF MUSIC, Journal of the American Musicological Society, 49(1), 1996, pp. 1-31
Authors:
CARTER T
Citation: T. Carter, INTRIGUING LAMENTS - DINDIA,SIGISMONDO, MONTEVERDI,CLAUDIO, AND DIDO ALLA-PARMIGIANA (1628), Journal of the American Musicological Society, 49(1), 1996, pp. 32-69
Authors:
POTTER PM
Citation: Pm. Potter, MUSICOLOGY UNDER HITLER - NEW SOURCES IN CONTEXT, Journal of the American Musicological Society, 49(1), 1996, pp. 70-113
Authors:
JOHNSON J
Citation: J. Johnson, DVORAK,ANTONIN - SYMPHONY FROM THE NEW-WORLD - WINTER,R, Journal of the American Musicological Society, 49(1), 1996, pp. 114-126
Authors:
THOMPSON WE
Citation: We. Thompson, THE ANALYSIS AND COGNITION OF MELODIC COMPLEXITY - NARMOUR,E, Journal of the American Musicological Society, 49(1), 1996, pp. 127-145
Authors:
THOMPSON WF
Citation: Wf. Thompson, THE ANALYSIS AND COGNITION OF BASIC MELODIC STRUCTURES - NARMOUR,E, Journal of the American Musicological Society, 49(1), 1996, pp. 127-145
Authors:
HAAR J
Citation: J. Haar, THE SQUARCIALUPI CODEX - MANUSCRIPT-MEDICEO-PALATINO-87, BIBLIOTECA-LAURENZIANA IN FLORENCE, A FACSIMILE EDITION - ITALIAN - GALLO,FA, EDITOR, Journal of the American Musicological Society, 49(1), 1996, pp. 145-155
Authors:
RINK JS
Citation: Js. Rink, THE PIANIST AS ORATOR - BEETHOVEN AND THE TRANSFORMATION OF KEYBOARD STYLE - BARTH,G, Journal of the American Musicological Society, 49(1), 1996, pp. 155-161
Authors:
AUNER JH
Citation: Jh. Auner, PYRAMIDS AT THE LOUVRE - MUSIC, CULTURE, AND COLLAGE FROM STRAVINSKY TO THE POSTMODERNISTS - WATKINS,G, Journal of the American Musicological Society, 49(1), 1996, pp. 161-174
Authors:
JEFFERY P
Citation: P. Jeffery, RE-ENVISIONING PAST MUSICAL CULTURES, ETHNOMUSICOLOGY IN THE STUDY OFGREGORIAN CHANT - A REPLY, Journal of the American Musicological Society, 49(1), 1996, pp. 175-179
Authors:
QURESHI RB
Citation: Rb. Qureshi, MUSIC ANTHROPOLOGIES AND MUSIC HISTORIES - A PREFACE AND AGENDA, Journal of the American Musicological Society, 48(3), 1995, pp. 331-342
Authors:
TOMLINSON G
Citation: G. Tomlinson, IDEOLOGIES OF AZTEC SONG, Journal of the American Musicological Society, 48(3), 1995, pp. 343-379
Authors:
AGAWU K
Citation: K. Agawu, THE INVENTION OF AFRICAN RHYTHM, Journal of the American Musicological Society, 48(3), 1995, pp. 380-395
Authors:
MONSON I
Citation: I. Monson, THE PROBLEM WITH WHITE HIPNESS, RACE, GENDER, AND CULTURAL CONCEPTIONS IN JAZZ HISTORICAL DISCOURSE, Journal of the American Musicological Society, 48(3), 1995, pp. 396-422
Authors:
FELDMAN M
Citation: M. Feldman, MAGIC MIRRORS AND THE SERIA STAGE, THOUGHTS TOWARD A RITUAL VIEW, Journal of the American Musicological Society, 48(3), 1995, pp. 423-484
Authors:
STROHM R
Citation: R. Strohm, CENSUS-CATALOG OF MANUSCRIPT SOURCES OF POLYPHONIC MUSIC, 1400-1550 -CALL,J, Journal of the American Musicological Society, 48(3), 1995, pp. 485-490