Citation: M. Ossi, THE SONG OF THE SOUL, UNDERSTANDING 'POPPEA' - FENLON,I, MILLER,PN, Journal of the American Musicological Society, 48(3), 1995, pp. 490-507
Citation: S. Leopold, OPERA IN 17TH-CENTURY VENICE, THE CREATION OF A GENRE - ROSAND,E, Journal of the American Musicological Society, 48(3), 1995, pp. 507-512
Citation: J. Brown, THE EARLY WORKS OF SCHOENBERG,ARNOLD, 1893-1908 - FRISCH,W, Journal of the American Musicological Society, 48(3), 1995, pp. 521-531
Citation: W. Kirkendale, COMMUNICATIONS + A REPLY TO HARNESS,KELLEY AND HILL,JOHN, Journal of the American Musicological Society, 48(3), 1995, pp. 533-539
Citation: K. Harness et Jw. Hill, COMMUNICATIONS + A REPLY TO KIRKENDALE,WARREN, Journal of the American Musicological Society, 48(3), 1995, pp. 539-539
Citation: Jt. Brobeck, MUSICAL PATRONAGE IN THE ROYAL-CHAPEL OF FRANCE UNDER FRANCIS-I (R.1515-1547), Journal of the American Musicological Society, 48(2), 1995, pp. 187-239
Citation: M. Bent, 15TH-CENTURY AND 16TH-CENTURY MANUSCRIPTS OF POLYPHONIC MUSIC - ITALY- FRENCH - BRIDGMAN,N, Journal of the American Musicological Society, 48(2), 1995, pp. 272-283
Citation: H. Meconi, LARUE,PIERRE,DE OPERA-OMNIA, VOL 1 'MISSA ALLELUIA', 'MISSA ALMANA', 'MISSA ASSUMPTA EST MARIA', 'MISSA AVE MARIA', 'MISSA AVE SANCTISSIMA MARIA', VOL 2, 'MISSA CONCEPTIO TUA', 'MISSA CUM JUCUNDITATE', 'MISSA DE BEATA VIRGINE', 'MISSA DE FERIA', 'MISSA DE SANCTA ANNA', VOL 3, 'MISSA DE SANCTA CRUCE', 'MISSA DE SANCTO ANTONIO', 'MISSA DE SANCTO JOB', 'MISSA DE SEPTEM DOLORIBUS', 'MISSA DE VIRGINIBUS' - DAVISON,NSJ, KREIDER,JE, KEAHEY,TH, EDITORS, Journal of the American Musicological Society, 48(2), 1995, pp. 283-293
Citation: Er. Sisman, HAYDN 'FAREWELL' SYMPHONY AND THE IDEA OF CLASSICAL STYLE, THROUGH-COMPOSITION AND CYCLIC INTEGRATION IN HIS INSTRUMENTAL MUSIC - WEBSTER,J, Journal of the American Musicological Society, 48(2), 1995, pp. 293-305
Citation: Ra. Solie, QUEERING THE PITCH, THE NEW GAY AND LESBIAN MUSICOLOGY - BRETT,P, WOOD,E, THOMAS,GC, Journal of the American Musicological Society, 48(2), 1995, pp. 311-323
Citation: K. Vanorden, SEXUAL DISCOURSE IN THE PARISIAN CHANSON, A LIBIDINOUS AVIARY, Journal of the American Musicological Society, 48(1), 1995, pp. 1-41
Citation: A. Ashby, OF MODELL-TYPEN AND REIHENFORMEN, BERG, SCHOENBERG, KLEIN,F.H., AND THE CONCEPT OF ROW-DERIVATION, Journal of the American Musicological Society, 48(1), 1995, pp. 67-105
Citation: K. Harness et Jw. Hill, THE COURT MUSICIANS IN FLORENCE DURING THE PRINCIPATE OF THE MEDICI WITH A RECONSTRUCTION OF THE ARTISTIC ESTABLISHMENT - KIRKENDALE,W, Journal of the American Musicological Society, 48(1), 1995, pp. 106-115
Citation: Mr. Maniates, MUSIC IN RENAISSANCE MAGIC - TOWARD A HISTORIOGRAPHY OF OTHERS - TOMLINSON,G, Journal of the American Musicological Society, 48(1), 1995, pp. 115-126
Citation: L. Rosow, LE 'CARNAVAL DE VENISE, COMEDIE LYRIQUE' - CAMPRA,A, ANTHONY,JR, EDITOR, Journal of the American Musicological Society, 48(1), 1995, pp. 126-136
Citation: L. Rosow, MUSIC FOR MOLIERE COMEDIES - CHARPENTIER,MA, POWELL,JS, EDITOR, Journal of the American Musicological Society, 48(1), 1995, pp. 126-136
Citation: L. Rosow, LE 'BALLET DES FACHEUX' - BEAUCHAMP MUSIC FOR MOLIERE COMEDY - HOULE,G, Journal of the American Musicological Society, 48(1), 1995, pp. 126-136
Citation: L. Rosow, 'MEDEE ET JASON, TRAGEDIE EN MUSIQUE' - SALOMON,JF, BROWN,LE, EDITOR, Journal of the American Musicological Society, 48(1), 1995, pp. 126-136