Citation: M. Solomon, AUTHENTICATING AN ALLEGED NEW PORTRAIT OF BEETHOVEN,LUDWIG,VAN, Journal of the American Musicological Society, 47(1), 1994, pp. 178-178
Citation: S. Brandenburg, A METHODOLOGICAL AND SUBSTANTIVE REBUTTAL TO THE NEWLY DISCOVERED HOCHENECKER PORTRAIT OF BEETHOVEN,LUDWIG,VAN (1819), Journal of the American Musicological Society, 47(1), 1994, pp. 179-187
Citation: R. Steblin, ON THE SO-CALLED NEW PORTRAIT OF BEETHOVEN,LUDWIG,VAN - A REPLY CONCERNING THE HOCHENECKER DRAWING, Journal of the American Musicological Society, 47(1), 1994, pp. 187-190
Citation: Jn. Strauss, AN INTERPRETATION OF THE WORK OF LITERARY CRITIC BLOOM,HAROLD - IN REPLY TO A TARUSKIN,RICHARD REVIEW OF 'REMAKING THE PAST' (1990), Journal of the American Musicological Society, 47(1), 1994, pp. 190-191
Citation: E. Haimo, THE RHETORICAL BRILLIANCE AND CONTEMPORARY THEORIES OF MUSIC AND POETRY - A REPLY TO TARUSKIN,RICHARD, Journal of the American Musicological Society, 47(1), 1994, pp. 191-195
Citation: K. Korsyn, STYLE AND MUSIC - THEORY, HISTORY, AND IDEOLOGY - MEYER,LB, Journal of the American Musicological Society, 46(3), 1993, pp. 469-475
Citation: De. Monson, MONSON EDITION OF PERGOLESI 'ADRIANO IN SIRIA' - A REPLY, Journal of the American Musicological Society, 46(3), 1993, pp. 486-494
Citation: S. Hansell, MONSON EDITION OF PERGOLESI 'ADRIANO IN SIRIA' - A REJOINDER, Journal of the American Musicological Society, 46(3), 1993, pp. 494-500
Citation: Mc. Tusa, THE UNKNOWN FLORESTAN, THE 1805 VERSION OF IN-DES-LEBENS-FRUHLINGSTAGEN + BEETHOVEN 'FIDELIO', Journal of the American Musicological Society, 46(2), 1993, pp. 175-220
Citation: Dp. Schroeder, BERG,ALBAN AND ALTENBERG,PETER, INTIMATE ART AND THE AESTHETICS OF LIFE, Journal of the American Musicological Society, 46(2), 1993, pp. 261-294
Citation: L. Earp, COMPOSITIONAL TECHNIQUES IN THE 4-PART ISORHYTHMIC MOTETS OF VITRY,PHILIPPE,DE AND HIS CONTEMPORARIES - LEECHWILKINSON,D, Journal of the American Musicological Society, 46(2), 1993, pp. 295-305
Citation: Mp. Brauner, STUDIES OF THE EARLY REPERTORY OF THE PAPAL SINGERS DURING THE PONTIFICATE OF SIXTUS-IV (1471-1484) - CHOIRBOOK-14 AND CHOIRBOOK-51 IN THE FONDO-CAPPELLA-SISTINA OF THE BIBLIOTECA-APOSTOLICA-VATICANA - GERMAN - ROTH,A, Journal of the American Musicological Society, 46(2), 1993, pp. 306-312
Citation: Ja. Owens, A CORRESPONDENCE OF RENAISSANCE MUSICIANS - BLACKBURN,BJ, LOWINSKY,EE, MILLER,CA, Journal of the American Musicological Society, 46(2), 1993, pp. 313-318
Citation: Hw. Hitchcock, IVES,CHARLES - MY FATHERS-SONG, A PSYCHOANALYTIC BIOGRAPHY - FEDER,S, Journal of the American Musicological Society, 46(2), 1993, pp. 319-329
Citation: M. Long, COMMUNICATIONS -1500( RESPONSE TO REYNOLDS,CHRISTOPHER MISINTERPRETATION OF MY ARTICLE ON THE MUSIC OF THE PERIOD BETWEEN 1400), Journal of the American Musicological Society, 46(2), 1993, pp. 330-331
Citation: C. Reynolds, COMMUNICATIONS + REPLY TO LONG,MICHAEL ARTICLE CRITIQUE, Journal of the American Musicological Society, 46(2), 1993, pp. 331-332
Citation: Sg. Cusick, GENDERING MODERN MUSIC - THOUGHTS ON THE MONTEVERDI-ARTUSI CONTROVERSY, Journal of the American Musicological Society, 46(1), 1993, pp. 1-25
Citation: J. Daverio, THE WECHSEL-DER-TONE IN BRAHMS 'SCHICKSALSLIED' + BRAHMS AND HOLDERLIN,FRIEDRICH POETIC THEORY OF ALTERNATING TONES, Journal of the American Musicological Society, 46(1), 1993, pp. 84-113