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Results: 1-25/92
Authors:
MASSOW AV
Citation: Av. Massow, MUSICAL FORM-CONTENT, Archiv fur Musikwissenschaft, 55(4), 1998, pp. 269-288
Authors:
EGGEBRECHT HH
Citation: Hh. Eggebrecht, FORM AND CONTENT IN MUSIC - A RESPONSE TO MASSOW,ALBRECHTS,VON ESSAY MUSIKALISCHER-FORMGEHALT, Archiv fur Musikwissenschaft, 55(4), 1998, pp. 288-290
Authors:
LUTTEKEN L
Citation: L. Lutteken, AS TIME GOES BY - HISTORICAL REMARKS ON A ISSUE IN RECENT HISTORY OF COMPOSITION STUDIES, Archiv fur Musikwissenschaft, 55(4), 1998, pp. 291-310
Authors:
KREBS W
Citation: W. Krebs, CULTURE, MUSIC AND THE DECLINE OF THE WEST - SPENGLER,OSWALD PHILOSOPHY OF HISTORY (DER 'UNTERGANG DES ABENDLANDES'), Archiv fur Musikwissenschaft, 55(4), 1998, pp. 311-331
Authors:
MAIER M
Citation: M. Maier, SCHUBERT,FRANZ 'GASTEINER LIEDER, OP. 79' AFTER TEXTS OF THE PARTRIARCH-OF-VENICE, PYRKER,LADISLAUS, Archiv fur Musikwissenschaft, 55(4), 1998, pp. 332-353
Authors:
EBERLEIN R
Citation: R. Eberlein, PRE-MODAL MUSICAL NOTATION ('CHANSONNIER OF SAINT-GERMAIN-DES-PRES' OF 1235), Archiv fur Musikwissenschaft, 55(3), 1998, pp. 175-194
Authors:
BALLSTAEDT A
Citation: A. Ballstaedt, HUMOR AND JOKES IN HAYDN,JOSEPH MUSIC, Archiv fur Musikwissenschaft, 55(3), 1998, pp. 195-219
Authors:
SPLITT G
Citation: G. Splitt, OPERA AS A POLITICAL MATTER - STRAUSS,RICHARD 'FRIEDENSTAG' (1938), Archiv fur Musikwissenschaft, 55(3), 1998, pp. 220-251
Authors:
JUNGKAISER U
Citation: U. Jungkaiser, KLIMT,GUSTAV ENCRYPTED PORTRAIT OF MAHLER, Archiv fur Musikwissenschaft, 55(3), 1998, pp. 252-262
Authors:
EVANS J
Citation: J. Evans, THE RECEPTION OF STRAVINSKY,IGOR MUSIC IN HITLER GERMANY (MUSIC-CRITICISM, NATIONAL-SOCIALISM), Archiv fur Musikwissenschaft, 55(2), 1998, pp. 91-109
Authors:
BERGER C
Citation: C. Berger, 'ARMIDE' BETWEEN RESIGNATION AND REVENGE - QUINAULT AND LULLY BETWEENRETIREMENT AND AMBITION (FRENCH OPERA), Archiv fur Musikwissenschaft, 55(2), 1998, pp. 110-131
Authors:
HEINZEL A
SCHMID B
Citation: A. Heinzel et B. Schmid, REDISCOVERED LASSO,ORLANDO,DI MOVEMENTS - 2 PASSAGES FROM 'ADORAMUS TE CHRISTE' AND 1 FROM 'SALVE REGINA', Archiv fur Musikwissenschaft, 55(2), 1998, pp. 132-151
Authors:
MARX W
Citation: W. Marx, THE ORGAN TABLATURE OF WOLFGANG-DE-NOVA-DOMO (15TH-CENTURY COMPOSITION), Archiv fur Musikwissenschaft, 55(2), 1998, pp. 152-170
Authors:
HINDRICHS G
Citation: G. Hindrichs, DID CAGE,JOHN SIGNAL A LEAP FORWARD FOR N EW MUSIC, Archiv fur Musikwissenschaft, 55(1), 1998, pp. 1-27
Authors:
FOLLMI BA
Citation: Ba. Follmi, I-CANNOT-REMEMBER-EVRYTHING - A NARRATOLO GICAL ANALYSIS OF SCHONBERG,ARNOLD CANTATA A 'SURVIVOR FROM WARSAW', OP.46, Archiv fur Musikwissenschaft, 55(1), 1998, pp. 28-56
Authors:
FEISST S
Citation: S. Feisst, COWELL,HENRY AND SCHONBERG,ARNOLD - A LIT TLE-KNOWN FRIENDSHIP, Archiv fur Musikwissenschaft, 55(1), 1998, pp. 57-71
Authors:
HIRSBRUNNER T
Citation: T. Hirsbrunner, GERMAN AND FRENCH MUSICAL THOUGHT AS SEEN IN THE WORKS OF SCHONBERG AND MESSIAEN, Archiv fur Musikwissenschaft, 55(1), 1998, pp. 72-86
Authors:
NONNENMANN R
Citation: R. Nonnenmann, MELANCHOLY IN SCHUBERT,FRANZ 'WALTZ IN C- SHARP MINOR D-643' AND LACHENMANN,HELMUT SCHUBERT VARIATIONS (1956), Archiv fur Musikwissenschaft, 54(4), 1997, pp. 247-268
Authors:
ROTHKAMM J
Citation: J. Rothkamm, KONDUKT AS THE BASIS OF A CONCEPT OF FORM - A CHARACTER ANALYSIS OF THE FIRST MOVEMENT OF MAHLER,GUSTAV '9TH SYMPHONY', Archiv fur Musikwissenschaft, 54(4), 1997, pp. 269-283
Authors:
VANDERLEK R
MANN E
Citation: R. Vanderlek et E. Mann, KEY DISTRIBUTION IN THE FIRST MOVEMENTS O F SCHUBERT 2ND, 3RD, AND 4TH SYMPHONIES, Archiv fur Musikwissenschaft, 54(4), 1997, pp. 284-298
Authors:
LOLKES H
Citation: H. Lolkes, DAMIT-EIN-VOLLSTANDIGES-ZUR-CHRISTLICHEN- UBUNG-DIENENDES-OPUS-DARAUS-ERWACHSE - SOLILOQUOY PRINTINGS FROM KEISER,REINHARD PASSIONS, Archiv fur Musikwissenschaft, 54(4), 1997, pp. 299-320
Authors:
FROBENIUS W
Citation: W. Frobenius, NONO,LUIGI STRING-QUARTET 'FRAGMENTE-STILLE, AN DIOTIMA', Archiv fur Musikwissenschaft, 54(3), 1997, pp. 177-193
Authors:
EICHHORN A
Citation: A. Eichhorn, APPROACH BY MEANS OF DISTANCE -CRI TICISM- BEKKER,PAUL EXAMINATION OFHANSLICK FORMAL AESTHETICS( MUSIC), Archiv fur Musikwissenschaft, 54(3), 1997, pp. 194-209
Authors:
VOSS E
Citation: E. Voss, THE BLACK-FLAG AND THE WHITE-FLAG - ON THE INCEPTION OF WAGNER 'TRISTAN', Archiv fur Musikwissenschaft, 54(3), 1997, pp. 210-227
Authors:
SCHLAGE T
Citation: T. Schlage, COMMENTARY ON THE FINALI TO MOZART,WOLFGANG,AMADEUS PIANO-CONCERTI COMPOSED IN VIENNA, Archiv fur Musikwissenschaft, 54(3), 1997, pp. 228-242