Table of contents of journal: *Archiv für Musikwissenschaft

Results: 76-92/92

SCHUBERT COMPOSITIONAL DESIGN - CYCLIC FO RM AND THE FINALE OF HIS 'QUARTET IN G-MAJOR' D.887

Authors: KRUMMACHER F

Citation: F. Krummacher, SCHUBERT COMPOSITIONAL DESIGN - CYCLIC FO RM AND THE FINALE OF HIS 'QUARTET IN G-MAJOR' D.887, Archiv fur Musikwissenschaft, 51(1), 1994, pp. 26-50

'POUR DOULZ REGARD ...' - A NEWLY DISCOVERED MANUSCRIPT PAGE WITH FRENCH CHANSONS FROM THE BEGINNING OF THE 15TH-CENTURY

Authors: BERGER C

Citation: C. Berger, 'POUR DOULZ REGARD ...' - A NEWLY DISCOVERED MANUSCRIPT PAGE WITH FRENCH CHANSONS FROM THE BEGINNING OF THE 15TH-CENTURY, Archiv fur Musikwissenschaft, 51(1), 1994, pp. 51-77

'ZAUBERFLOTE ZWEYTER THEIL', MUSICAL CONC EPT OF A NON-COMPOSED OPERA+ GOETHE LIBRETTO FRAGMENT

Authors: WLADURA M

Citation: M. Wladura, 'ZAUBERFLOTE ZWEYTER THEIL', MUSICAL CONC EPT OF A NON-COMPOSED OPERA+ GOETHE LIBRETTO FRAGMENT, Archiv fur Musikwissenschaft, 50(4), 1993, pp. 259-290

A PREVIOUSLY NEGLECTED SOURCE ON MUSICAL TEMPO CONCEPTS FROM THE EARLY-19TH-CENTURY

Authors: AUHAGEN W

Citation: W. Auhagen, A PREVIOUSLY NEGLECTED SOURCE ON MUSICAL TEMPO CONCEPTS FROM THE EARLY-19TH-CENTURY, Archiv fur Musikwissenschaft, 50(4), 1993, pp. 291-308

STOCKHAUSEN,KARL,HEINZ, 40 YEARS OF ELECT RONIC MUSIC

Authors: BLUMRODER CV

Citation: Cv. Blumroder, STOCKHAUSEN,KARL,HEINZ, 40 YEARS OF ELECT RONIC MUSIC, Archiv fur Musikwissenschaft, 50(4), 1993, pp. 309-323

BETWEEN COURT OPERA AND NATIONAL THEATER, ASPECTS OF THE RECEPTION OFGLUCK MUSIC IN BERLIN AT THE TURN OF THE 19TH-CENTURY

Authors: HENZEL C

Citation: C. Henzel, BETWEEN COURT OPERA AND NATIONAL THEATER, ASPECTS OF THE RECEPTION OFGLUCK MUSIC IN BERLIN AT THE TURN OF THE 19TH-CENTURY, Archiv fur Musikwissenschaft, 50(3), 1993, pp. 201-216

ROMANTIC HARMONY AND CLASSICAL SONATA PRI NCIPLE, FUNCTIONAL HARMONICCHANGES IN SONATA EXPOSITION DURING THE 19TH-CENTURY

Authors: HINRICHSEN HJ

Citation: Hj. Hinrichsen, ROMANTIC HARMONY AND CLASSICAL SONATA PRI NCIPLE, FUNCTIONAL HARMONICCHANGES IN SONATA EXPOSITION DURING THE 19TH-CENTURY, Archiv fur Musikwissenschaft, 50(3), 1993, pp. 217-231

STRAUSS,RICHARD 'MACBETH', DIFFERENT VERS IONS AND HISTORY OF ITS GENESIS

Authors: WERBECK W

Citation: W. Werbeck, STRAUSS,RICHARD 'MACBETH', DIFFERENT VERS IONS AND HISTORY OF ITS GENESIS, Archiv fur Musikwissenschaft, 50(3), 1993, pp. 232-253

APTUM AND VARIETAS IN SCHUTZ,HEINRICH 'PA SSIONSHISTORIEN', POSSIBILITIES AND LIMITATIONS OF MUSICO-RHETORICAL INTERPRETATION

Authors: SANDBERGER W

Citation: W. Sandberger, APTUM AND VARIETAS IN SCHUTZ,HEINRICH 'PA SSIONSHISTORIEN', POSSIBILITIES AND LIMITATIONS OF MUSICO-RHETORICAL INTERPRETATION, Archiv fur Musikwissenschaft, 50(2), 1993, pp. 107-144

THE FOUNDING OF THE HEIDELBERG COURT ORCH ESTRA -I( IN 1346 BY RUPRECHT)

Authors: ZAK S

Citation: S. Zak, THE FOUNDING OF THE HEIDELBERG COURT ORCH ESTRA -I( IN 1346 BY RUPRECHT), Archiv fur Musikwissenschaft, 50(2), 1993, pp. 145-163

REDISCOVERING RAMEAU IN 19TH-CENTURY FRAN CE

Authors: WASSERMANN C

Citation: C. Wassermann, REDISCOVERING RAMEAU IN 19TH-CENTURY FRAN CE, Archiv fur Musikwissenschaft, 50(2), 1993, pp. 164-186

FAREWELL AND REASSESSMENT, SCHOENBERG PIA NO-COMPOSITION OP19,6

Authors: MASSOW AV

Citation: Av. Massow, FAREWELL AND REASSESSMENT, SCHOENBERG PIA NO-COMPOSITION OP19,6, Archiv fur Musikwissenschaft, 50(2), 1993, pp. 187-195

THE REHABILITATION OF SENSUALITY, PHILOSOPHICAL IMPLICATIONS IN THE CONSTELLATION OF CHARACTERS IN DIE 'ZAUBERFLOTE' + MOZART,W.A.

Authors: FISCHER P

Citation: P. Fischer, THE REHABILITATION OF SENSUALITY, PHILOSOPHICAL IMPLICATIONS IN THE CONSTELLATION OF CHARACTERS IN DIE 'ZAUBERFLOTE' + MOZART,W.A., Archiv fur Musikwissenschaft, 50(1), 1993, pp. 1-25

MOTIF STRUCTURE AND TONALITY IN MOZART

Authors: GLOEDE W

Citation: W. Gloede, MOTIF STRUCTURE AND TONALITY IN MOZART, Archiv fur Musikwissenschaft, 50(1), 1993, pp. 26-43

MENDELSSOHN SO-CALLED NOBLE SONGS, COMPOSITIONAL STRUCTURE OF THE ARIA IN 'PAULUS'

Authors: REIMER E

Citation: E. Reimer, MENDELSSOHN SO-CALLED NOBLE SONGS, COMPOSITIONAL STRUCTURE OF THE ARIA IN 'PAULUS', Archiv fur Musikwissenschaft, 50(1), 1993, pp. 44-70

SCHUMANN 'PAPILLONS' AND AESTHETICS OF EARLY ROMANTICISM

Authors: BRACHT HJ

Citation: Hj. Bracht, SCHUMANN 'PAPILLONS' AND AESTHETICS OF EARLY ROMANTICISM, Archiv fur Musikwissenschaft, 50(1), 1993, pp. 71-84

INTERPRETING THE LIQUESCENT NEUME + EARLY MEDIEVAL MELODIC MOTIONS

Authors: HAUG A

Citation: A. Haug, INTERPRETING THE LIQUESCENT NEUME + EARLY MEDIEVAL MELODIC MOTIONS, Archiv fur Musikwissenschaft, 50(1), 1993, pp. 85-100

Risultati: 1-25 | 26-50 | 51-75 | 76-92 |