Citation: P. Cheney, CAREER RIVALRY AND THE WRITING OF COUNTER-NATIONHOOD - OVID, SPENSER,AND PHILOMELA IN MARLOWE THE 'PASSIONATE SHEPHERD TO HIS LOVE', ELH, 65(3), 1998, pp. 523-555
Citation: Ab. Gardiner, A WITTY FRENCH PREACHER IN THE ENGLISH COURT, DRYDEN, AND THE GREAT DEBATE ON THE REAL PRESENCE, 1661-1688, ELH, 65(3), 1998, pp. 593-616
Citation: C. Ames, VARIATIONS ON A THEME - BAROQUE AND NEOCLASSICAL AESTHETICS IN THE ST. CECILIA DAY ODES OF DRYDEN AND POPE, ELH, 65(3), 1998, pp. 617-635
Citation: Jm. Picker, DISTURBING SURFACES - REPRESENTATIONS OF THE FRAGMENT IN THE 'SCHOOL FOR SCANDAL' (SHERIDAN,RICHARD,BRINSLEY), ELH, 65(3), 1998, pp. 637-652
Citation: T. Gwilliam, SCENES OF HORROR, SCENES OF SENSIBILITY - SENTIMENTALITY AND SLAVERY IN STEDMAN,JOHN,GABRIEL 'NARRATIVE OF A FIVE YEARS EXPEDITION AGAINST THE REVOLTED NEGROES OF SURINAM', ELH, 65(3), 1998, pp. 653-673
Citation: S. Morganrussell, STRUCTURES OF ADULTERY - OTWAY THE 'SOULDIERS FORTUNE' AND RESTORATION DOMESTIC ARCHITECTURE, ELH, 65(2), 1998, pp. 347-361
Citation: D. Saglia, O-MY-MOTHER-SPAIN - THE PENINSULAR WARS, FAMILY MATTERS, AND THE PRACTICE OF ROMANTIC NATION-WRITING, ELH, 65(2), 1998, pp. 363-393