Citation: R. Maconie, THROUGH THE LOOKING-GLASS ('HYMNEN', STOCVKHAUSEN,KARLHEINZ ELECTROACOUSTIC CLASSIC OF THE 1960S), Musical times, 139(1863), 1998, pp. 4-11
Citation: G. Perle, BERGS STYLE OF FREEDOM (THE RELATIONSHIP BETWEEN THE STRICT AND THE FREE IN THE 'LYRIC SUITE'), Musical times, 139(1863), 1998, pp. 12-31
Citation: N. Temperley, EVERLASTING PRAISE (THE HYMN-TUNE-INDEX (HTI), AN IMPORTANT NEW RESEARCH TOOL FOR CATALOGING HYMNODY), Musical times, 139(1863), 1998, pp. 46-48
Citation: A. Luff, EVERLASTING PRAISE (HYMNQUEST, A NEW PRACTICAL AND RESEARCH TOOL FOR CONTEMPORARY HYMNODY), Musical times, 139(1863), 1998, pp. 48-49
Citation: A. Whittall, JANACEKS WORKS - A CATALOG OF THE MUSIC AND WRITINGS OF JANACEK,LEOS - SIMEONE,N, TYRRELL,J, NEMCOVA,A, Musical times, 139(1863), 1998, pp. 57-60
Citation: As. Henry, WOE, WOE (THE WOEFUL STATE OF THE CD INDUSTRY AND THE DIFFERENT WAYS RECORD COMPANIES ARE TRYING TO SOLVE THE PROBLEM), Musical times, 139(1863), 1998, pp. 62-62
Citation: R. Drakeford, WHOSE COMPANION (REPLY TO BURROWS,DAVID COMMENTS ON MY REVIEW OF THE 'CAMBRIDGE COMPANION TO HANDEL'), Musical times, 139(1863), 1998, pp. 63-63
Citation: J. Rogerson, FOR WHAT ITS WORTH (RESPONSE TO PAYNE,ANTHONY ELABORATION OF THE SKETCHES FOR ELGARS 'THIRD SYMPHONY'), Musical times, 139(1863), 1998, pp. 63-63
Citation: D. Burrows, WHOSE COMPANION (RESPONSE TO DRAKEFORD,RICHARD REVIEW OF THE 'CAMBRIDGE COMPANION TO HANDEL'), Musical times, 139(1863), 1998, pp. 63-63
Citation: Wd. Seiffert, A MYSTERY SOLVED (RESPONSE TO BLACK,LEO ARTICLE ABOUT VARIOUS EDITIONS OF SCHUBERTS 'ARPEGGIONE SONATA'), Musical times, 139(1863), 1998, pp. 63-63