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Authors: NESCHKE A
Citation: A. Neschke, POIESIS AND MIMESIS IN ARISTOTLE 'POETICS', Poetica, 29(3-4), 1997, pp. 325-342

Authors: BIHRER A
Citation: A. Bihrer, TEXT AND IMAGE - REMARKS ON THE VISUAL REALIZATION OF LITERARY-TEXTS IN THE 14TH-CENTURY, Poetica, 29(3-4), 1997, pp. 343-377

Authors: MULLER WG
Citation: Wg. Muller, THE BIRTH OF COMEDY FROM THE SPIRIT OF THE WOMAN - GENDER AND GENRE IN SHAKESPEARE 'AS YOU LIKE IT', Poetica, 29(3-4), 1997, pp. 378-404

Authors: MENNINGHAUS W
Citation: W. Menninghaus, THE DISGUST-TABOO AND THE OMNIPRESENCE OF DISGUST IN AESTHETIC THEORY(1740-1790), Poetica, 29(3-4), 1997, pp. 405-431

Authors: REBEJKOW JC
Citation: Jc. Rebejkow, MUSIC AND LANGUAGE IN DIDEROT 'LETTRE SUR LES SOURDS ET MUETS', Poetica, 29(3-4), 1997, pp. 432-454

Authors: LACHMANN R
Citation: R. Lachmann, CALLIGRAPHY, ARABESQUE, PHANTASMA - THE SEMANTIC OF WRITING IN 19TH-CENTURY PROSE TEXTS, Poetica, 29(3-4), 1997, pp. 455-498

Authors: NEYMEYR B
Citation: B. Neymeyr, NARCISSISTIC DESTRUCTION - ON THE PLACE VALUE OF THE LOSS OF REALITY AND ALIENATION OF SELF IN HOFFMANN,E.T.A. DER 'SANDMANN', Poetica, 29(3-4), 1997, pp. 499-531

Authors: FERGUSON S
Citation: S. Ferguson, CANETTI,ELIAS AND MULTICULTURALISM, Poetica, 29(3-4), 1997, pp. 532-595

Authors: SILL O
Citation: O. Sill, THE-HUNTER-HAS-BECOME-A-BUTTERFLY - TEXTUAL CONNECTIONS IN THE WORKS OF SEBALD,W.G., KAFKA,FRANZ AND NABOKOV,VLADIMIR, Poetica, 29(3-4), 1997, pp. 596-623

Authors: PFISTER M
Citation: M. Pfister, CLEMEN,WOLFGANG 'SHAKESPEARES BILDER' RECONSIDERED, Poetica, 29(3-4), 1997, pp. 624-635

Authors: PLATZ NH
Citation: Nh. Platz, AN INTRODUCTION TO POSTCOLONIAL THEATER - CROW,B, BANFIELD,C, Poetica, 29(3-4), 1997, pp. 636-642

Authors: PLATZ NH
Citation: Nh. Platz, THEATER IN THE POSTCOLONIAL AGE - STUDIES IN THEATRICAL SYNCRETISM INTHE ENGLISH-SPEAKING WORLD - GERMAN - BALME,CB, Poetica, 29(3-4), 1997, pp. 636-642

Authors: PLATZ NH
Citation: Nh. Platz, POSTCOLONIAL DRAMA - THEORY, PRACTICE, POLITICS - GILBERT,H, TOMPKINS,J, Poetica, 29(3-4), 1997, pp. 636-642

Authors: HEUNER U
Citation: U. Heuner, SOPHOCLES 'ANTIGONE' - TRAGIC IRONY OF TI ME AND ACTION, Poetica, 29(1-2), 1997, pp. 1-25

Authors: BAUR D
Citation: D. Baur, CHORUS AND THEATER - THE ROLE OF THE CHOR US IN GREEK TRAGEDY WITH SPECIAL CONSIDERATION OF EURIPIDES 'ELEKTRA', Poetica, 29(1-2), 1997, pp. 26-47

Authors: HARZER F
Citation: F. Harzer, ISTE-EGO-SUM - OVID POETIC EPISTLES BETWE EN POETRY AND PROSE, Poetica, 29(1-2), 1997, pp. 48-74

Authors: BAUER S
Citation: S. Bauer, NACH-AVENTIURE-WANE - THE INTEGRATION OF MINNEWAN AND RITTERWAN IN HARTMANN 'EREC', Poetica, 29(1-2), 1997, pp. 75-93

Authors: HAUSTEIN J
Citation: J. Haustein, AUTOPOETICAL LICENSE IN PANEGYRIC ABOUT R ULERS, Poetica, 29(1-2), 1997, pp. 94-113

Authors: PANKOW E
Citation: E. Pankow, LITERATURE FROM THE COUCH - POE,EDGAR,ALL AN IN THE WEB OF PSYCHOANALYSIS, Poetica, 29(1-2), 1997, pp. 114-140

Authors: STANZEL FK
Citation: Fk. Stanzel, THE FEMININE MAN - TRACING A COURSE BACK FROM JOYCE,JAMES TO WEININGER,OTTO, Poetica, 29(1-2), 1997, pp. 141-157

Authors: GREBER E
Citation: E. Greber, ICONS AND THE DE-ICONIZED SIGN - THE SEMI OTICS OF IMAGINATION IN RILKE (AN INTERMEDIATE AND INTERCULTURAL STUDY), Poetica, 29(1-2), 1997, pp. 158-197

Authors: KUPPER J
Citation: J. Kupper, DECADENT LITERATURE - DANNUNZIO,GABRIELE IL 'PIACERE', Poetica, 29(1-2), 1997, pp. 198-233

Authors: NIELALBA DM
Citation: Dm. Nielalba, TEXTUAL FORGETFULNESS AND RECOLLECTION - FURTHER CONSIDERATIONS OF BRECHT,BERT 'ERINNERUNG AN DIE MARIE A.', Poetica, 29(1-2), 1997, pp. 234-254

Authors: MAHLER A
Citation: A. Mahler, THE WORLD ACCORDING TO AUERBACH - EUROPEA N LITERARY-HISTORY AS A GENEAOLOGY OF A REALIST AESTHETIC, Poetica, 29(1-2), 1997, pp. 255-269

Authors: KLOCKENER B
Citation: B. Klockener, MEYER,THEODOR,A. 'STILGESETZ DER POESIE' AND FIN-DE-SIECLE AESTHETIC DISCOURSE, Poetica, 29(1-2), 1997, pp. 270-305
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