Citation: Wg. Muller, THE BIRTH OF COMEDY FROM THE SPIRIT OF THE WOMAN - GENDER AND GENRE IN SHAKESPEARE 'AS YOU LIKE IT', Poetica, 29(3-4), 1997, pp. 378-404
Citation: B. Neymeyr, NARCISSISTIC DESTRUCTION - ON THE PLACE VALUE OF THE LOSS OF REALITY AND ALIENATION OF SELF IN HOFFMANN,E.T.A. DER 'SANDMANN', Poetica, 29(3-4), 1997, pp. 499-531
Citation: O. Sill, THE-HUNTER-HAS-BECOME-A-BUTTERFLY - TEXTUAL CONNECTIONS IN THE WORKS OF SEBALD,W.G., KAFKA,FRANZ AND NABOKOV,VLADIMIR, Poetica, 29(3-4), 1997, pp. 596-623
Citation: Nh. Platz, THEATER IN THE POSTCOLONIAL AGE - STUDIES IN THEATRICAL SYNCRETISM INTHE ENGLISH-SPEAKING WORLD - GERMAN - BALME,CB, Poetica, 29(3-4), 1997, pp. 636-642
Citation: D. Baur, CHORUS AND THEATER - THE ROLE OF THE CHOR US IN GREEK TRAGEDY WITH SPECIAL CONSIDERATION OF EURIPIDES 'ELEKTRA', Poetica, 29(1-2), 1997, pp. 26-47
Citation: E. Greber, ICONS AND THE DE-ICONIZED SIGN - THE SEMI OTICS OF IMAGINATION IN RILKE (AN INTERMEDIATE AND INTERCULTURAL STUDY), Poetica, 29(1-2), 1997, pp. 158-197
Citation: Dm. Nielalba, TEXTUAL FORGETFULNESS AND RECOLLECTION - FURTHER CONSIDERATIONS OF BRECHT,BERT 'ERINNERUNG AN DIE MARIE A.', Poetica, 29(1-2), 1997, pp. 234-254
Citation: A. Mahler, THE WORLD ACCORDING TO AUERBACH - EUROPEA N LITERARY-HISTORY AS A GENEAOLOGY OF A REALIST AESTHETIC, Poetica, 29(1-2), 1997, pp. 255-269