Citation: A. Classen, OF NIGHTINGALES AND CRAFTSMEN - POETRY ON POETRY IN MINNESANG AND THESANGSPRUCHDICHTUNG - GERMAN - OBERMAIER,S, Poetica, 29(1-2), 1997, pp. 306-311
Citation: C. Bode, LITERARY MODERNISM IN EUROPE, VOL 1, MANI FESTATIONS OF LITERARY PROSE AT THE FIN-DE-SIECLE, VOL 2, FORMATIONS OF THE LITERARY AVANT-GARDE,VOL 3, ASPECTS OF MODERNISM IN LITERATURE TO THE PRESENT - GERMAN - PIECHOTTA,HJ, WUTHENOW,RR, ROTHEMANN,S, Poetica, 29(1-2), 1997, pp. 311-315
Citation: J. Nieraad, SOCIAL COMMITMENT AS AESTHETIC RADICALISM - THE SHOAH LITERATURE, BETWEEN LAUGHTER AND SILENCE, Poetica, 28(3-4), 1996, pp. 408-431
Citation: Dh. Green, HEARING AND SEEING, SCRIPT AND IMAGE - CU LTURE AND MEMORY IN THE MIDDLE-AGES - GERMAN - WENZEL,H, Poetica, 28(3-4), 1996, pp. 479-482
Citation: H. Wenzel, MEDIEVAL LISTENING AND READING - THE PRIM ARY RECEPTION OF GERMAN LITERATURE 800-1300 - GREEN,DH, Poetica, 28(3-4), 1996, pp. 482-489
Citation: Mj. Schubert, 1200 YEARS OF GERMAN AS A FOREIGN-LANGUAG E - FOOLISH JOKES AND THE TEACHING OF GERMAN AS A 2ND LANGUAGE SINCE THE 'KASSELER GLOSSEN', Poetica, 28(1-2), 1996, pp. 48-65
Citation: H. Wandhoff, PAINTING THE MEMORIES - VERGIL 'AENEIS' A ND THE PICTORIAL IMAGES OF TROY IN GERMAN ARTHURIAN EPICS, Poetica, 28(1-2), 1996, pp. 66-96
Citation: C. Ratkowitsch, TROY, JERUSALEM, BABYLON, ROME -THE-GREAT IN MEDIEVAL LITERATURE - THE GENERAL INFORMATION AND THE CRITICISM OF THE ERA IN WALTER-OF-CHATILLON 'ALEXANDREIS'( THE IMAG E OF ALEXANDER), Poetica, 28(1-2), 1996, pp. 97-131
Citation: H. Zander, NON-ENIM-ADJECTIO-HAEC-EJUS-SED-OPUS-IPSU M-EST, REFLECTIONS ON THE PARATEXT IN STERNE 'TRISTRAM SHANDY', Poetica, 28(1-2), 1996, pp. 132-153
Citation: J. Wohlleben, WOLF,FRIEDRICH,AUGUST 'PROLEGOMENA AD HOM ERUM' IN THE GERMAN LITERARY LANDSCAPE OF THE LATE 18TH-CENTURY, Poetica, 28(1-2), 1996, pp. 154-170
Citation: K. Muller, AGAINST THE POWER OF (PRE-)SCRIPTS - FORM S OF INTERTEXTUAL DEHIERARCHIZATION IN TWAIN,MARK 'HUCKLEBERRY FINN', Poetica, 28(1-2), 1996, pp. 181-199