Citation: D. Kolesch, WRITING AND READING PHOTOGRAPHY - FIGURAT IVENESS, TEXTUALITY AND REMEMBRANCE IN DURAS,MARGUERITE AND BARTHES,ROLAND, Poetica, 27(1-2), 1995, pp. 187-214
Citation: Jh. Petersen, THE FICTIONS OF LANGUAGE AND THE LANGUAGE S OF FICTION - THE LINGUISTIC REPRESENTATION OF SPEECH AND CONSCIOUSNESS - FLUDERNIK,M, Poetica, 27(1-2), 1995, pp. 215-218
Citation: M. Fludernik, AESTHETIC ILLUSIONS AND THE BREACH OF ILL USIONS IN THE NARRATIVE ART- THEORY AND HISTORY WITH EMPHASIS ON ENGLISH ILLUSION-DISTURBING NARRATIVES - GERMAN - WOLF,W, Poetica, 27(1-2), 1995, pp. 218-224
Citation: Aa. Hansenlove, THE CONCEPT OF NOTHINGNESS IN THE PHILOSO PHY OF ART OF RUSSIAN POETSOF THE ABSURD (THE OBERIU GROUP) -1933( 1928), Poetica, 26(3-4), 1994, pp. 308-373
Citation: C. Jansohn, THE GERMAN SHAKESPEARE - AN ANNOTATED-BIB LIOGRAPHY ON THE RECEPTION OF SHAKESPEARE IN THE GERMAN-SPEAKING CULTURAL-REGIONS - GERMAN - BLINN,HJ, Poetica, 26(3-4), 1994, pp. 428-431
Citation: Dev. Mucke, THE CURSE OF CECILIA,SAINT + KLEIST,HEINR ICH,VON DIE 'HEILIGE CACILIE ODER DIE GEWALT DER MUSIK', Poetica, 26(1-2), 1994, pp. 105-120
Citation: J. Kupper, TREATING FICTION WITH IRONY AND DEMYTHOLO GIZING HISTORY - MANZONI,ALESSANDRO RESPONSE TO THE HISTORICAL NOVEL (I 'PROMESSI SPOSI'), Poetica, 26(1-2), 1994, pp. 121-152
Citation: V. Nolle, DIE-RISSIGE-HAUT-DER-FORM - INTERTEXTUALI TY AND THE SO-CALLED SCHEHREZAD-AXIOM IN BURGER,HERMANN NOVEL 'BRENNER', VOLS 1 AND 2, Poetica, 26(1-2), 1994, pp. 180-204
Citation: A. Keck, SEARCH FOR TRUTH - GOTTFRIED 'TRISTAN UND ISOLD' AS A NOVEL OF PHILOSOPHICAL COGNITION - GERMAN - SCHNELL,R, Poetica, 26(1-2), 1994, pp. 205-212
Citation: W. Weiss, HISTORY ON STAGE - FICTION DISPLAYED IN M ORE,THOMAS 'UTOPIA' AND SHAKESPEARE PLAYS DEALING WITH ENGLISH HISTORY - GERMAN - SORGE,T, Poetica, 26(1-2), 1994, pp. 212-214
Citation: A. Mahler, SHAKESPEARE FESTIVE WORLD - ELIZABETHAN S EASONAL ENTERTAINMENT AND THE PROFESSIONAL STAGE - LAROQUE,F, LLOYD,J, TRANSLATOR, Poetica, 26(1-2), 1994, pp. 214-221