Citation: D. Charles, MUSIC, FACE, SILENCE - 'YOU TURNED THE TA BLES ON ME', OR THE COLLECTED PHOTOGRAPHS OF MASOTTI,ROBERTO, Revue d'esthetique, (28), 1996, pp. 21-35
Citation: J. Chemillier, THE SOCIOLOGY OF THEATER ACTING - THE ACT ORS EMPLOYMENT AND THE DISTRIBUTION OF ROLES, Revue d'esthetique, (28), 1996, pp. 37-43
Citation: D. Cohenlevinas, REALITY OF HISTORY, UTOPIA OF CREATION - THE PLACE OF OPERA IN CONTEMPORARY-MUSIC, Revue d'esthetique, (28), 1996, pp. 45-51
Citation: P. Desile, ILLUMINATIONS AND FIRE WORKS - FESTIVITIE S AND CELEBRATIONS FROM THE17TH-CENTURY TO THE PRESENT, Revue d'esthetique, (28), 1996, pp. 53-66
Citation: B. Ehrhardt, THE POETICS OF THE INVISIBLE - ENCOUNTERS WITH THE CANDOMBLE RELIGIONIN BAHIA, BRAZIL THROUGH THE FIELD WORK OF VERGER,PIERRE,FATUMBI, Revue d'esthetique, (28), 1996, pp. 65-76
Citation: E. Jollet, THE QUESTION OF GRAVITY AND THE PIONEERS OF ABSTRACT-ART - MALEVICH, KANDINSKY, MONDRIAN AND KLEE, Revue d'esthetique, (28), 1996, pp. 101-112
Citation: M. Massin, THE UTOPIA OF MORE,THOMAS - UTOPIA AS VIC TIM OF ITS TOPICS, OR THE TRIUMPH OF MINOR AND APPLIED ARTS, Revue d'esthetique, (28), 1996, pp. 123-135
Citation: F. Arcmengaud et S. Sosno, CONVERSATION WITH SOSNO,SACHA REGARDING S CULPTURE AND THE URBAN LANDSCAPE, Revue d'esthetique, (28), 1996, pp. 161-170