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Results: 176-200/342
Authors:
THIBAUDAT JP
Citation: Jp. Thibaudat, THE YOUNG, NEW-GENERATION + FRENCH THEATE R IN THE 1990S, Revue d'esthetique, (26), 1994, pp. 31-36
Authors:
CHEMILLIER J
Citation: J. Chemillier, WHAT CAN A SCENE DO + DEVELOPING A POLICY FOR PROMOTING THEATER, Revue d'esthetique, (26), 1994, pp. 37-42
Authors:
DIDYM M
Citation: M. Didym, TRAJECTORY + MY CAREER AS A DIRECTOR IN T HEATER, Revue d'esthetique, (26), 1994, pp. 43-46
Authors:
SORET E
Citation: E. Soret, DIDYM,MICHEL, VISIONARY AESTHETICS AND TH E HARSHNESS OF DESIRE, Revue d'esthetique, (26), 1994, pp. 47-51
Authors:
FRANCOIS M
CORCOS P
Citation: M. Francois et P. Corcos, A CONVERSATION BETWEEN FRANCOIS,MARC AND CORCOS,PIERRE, Revue d'esthetique, (26), 1994, pp. 52-56
Authors:
TANCELIN P
Citation: P. Tancelin, THEATER AND RELATIVITY, Revue d'esthetique, (26), 1994, pp. 57-58
Authors:
CASALE N
Citation: N. Casale, AFTER THE MARGINS, THE THEATER OF FRANCOI S,MARC, Revue d'esthetique, (26), 1994, pp. 59-60
Authors:
BRAUNSCHWEIG S
Citation: S. Braunschweig, FOR A THEATER OF POETICS, Revue d'esthetique, (26), 1994, pp. 61-63
Authors:
WELDMAN S
Citation: S. Weldman, NOMAD GENERATION + FRENCH DIRECTORS DURIN G THE 1980S, Revue d'esthetique, (26), 1994, pp. 65-68
Authors:
ANNE C
Citation: C. Anne, JUST ONE WORD, THEATER, Revue d'esthetique, (26), 1994, pp. 69-70
Authors:
ROISIN T
Citation: T. Roisin, I ASK MYSELF + THEATER, WHY WE DO IT AND HOW WE DO IT, Revue d'esthetique, (26), 1994, pp. 71-74
THE SPIRIT OF THE FETE + AN APPROACH TO C ONTEMPORARY FRENCH THEATER AND ITS FUNCTION IN OUR SOCIETY
Authors:
PY O
Citation: O. Py, THE SPIRIT OF THE FETE + AN APPROACH TO C ONTEMPORARY FRENCH THEATER AND ITS FUNCTION IN OUR SOCIETY, Revue d'esthetique, (26), 1994, pp. 75-78
Authors:
TORRES A
TACKELS B
Citation: A. Torres et B. Tackels, THINKING ABOUT 'CHIMERE' + LANGUAGE AND T HE PLEASURE OF THEATER, Revue d'esthetique, (26), 1994, pp. 79-81
Authors:
ALLOUCHERIE G
LACASCADE E
Citation: G. Alloucherie et E. Lacascade, EXCERPTS FROM STAGE NOTES ON THE SEQUENCE OF ACT-2, THE CHARACTERS OFMACHA AND VERCHININE IN 'TROIS SOEURS', Revue d'esthetique, (26), 1994, pp. 83-84
Authors:
SAADA S
Citation: S. Saada, THE DECADENT BODY -THEATER COMPANY( AN ESSAY ON THE BALLA TUM), Revue d'esthetique, (26), 1994, pp. 85-87
Authors:
GIRONES C
TACKELS B
Citation: C. Girones et B. Tackels, THE YOUNG THEATER OF TOMORROW + A CONVERS ATION BETWEEN GIRONES,CLAUDINE AND TACKELS,BRUNO, Revue d'esthetique, (26), 1994, pp. 89-94
Authors:
BERNARD M
Citation: M. Bernard, MODELS OF THEATRICALIZATION IN FRENCH CON TEMPORARY THEATER, Revue d'esthetique, (26), 1994, pp. 95-106
Authors:
TOURE M
Citation: M. Toure, THE MAN, A RUINED GOD + CONTEMPORARY FREN CH THEATER, Revue d'esthetique, (26), 1994, pp. 107-107
Authors:
VIGNER E
Citation: E. Vigner, THE ACTING SPACE -SUZANNE-M THEATER PRODUCTIONS( THE ORIGINALITY AND SP ECIFICITY OF THE COMPAGNIE), Revue d'esthetique, (26), 1994, pp. 111-113
Authors:
HELOU A
Citation: A. Helou, THE TRICKS OF THE SMUGGLER AND THE AWAREN ESS OF ABANDONMENT + VIGNER,ERIC APPROACH TO THEATER, Revue d'esthetique, (26), 1994, pp. 114-116
Authors:
VIGNER B
Citation: B. Vigner, FROM ONE WRITING TO ANOTHER + IS THEATER MORE POWERFUL THAN WRITING, Revue d'esthetique, (26), 1994, pp. 117-118
Authors:
MEYSSAT B
Citation: B. Meyssat, AN ENDLESS EVENING + APPROACHES TO DIRECT ING FOR THE THEATER, Revue d'esthetique, (26), 1994, pp. 119-120
Authors:
ARNAUD G
Citation: G. Arnaud, GLANCES + THE THEATER OF MEYSSAT,BRUNO, Revue d'esthetique, (26), 1994, pp. 121-122
Authors:
CORVIN M
Citation: M. Corvin, MISE-EN-SCENE AND SILENCE, Revue d'esthetique, (26), 1994, pp. 123-127
Authors:
VILLEMAINE PA
Citation: Pa. Villemaine, THE EMERGENCE OF WORDS AND IMAGES IN CONT EMPORARY FRENCH THEATER, Revue d'esthetique, (26), 1994, pp. 128-131