Citation: P. Kadivar, THEATER AND THE FIELDS OF DEATH, THE VISI ON AS A RESPONSIBILITY + THEATER AS A PERCEPTUAL SPACE FOR THE BODY, Revue d'esthetique, (26), 1994, pp. 156-159
Citation: O. Besson, IM TELLING YOU THAT THERE IS NOTHING AT A LL + THEATER PRACTICES OF ACTORS AND DIRECTORS, Revue d'esthetique, (26), 1994, pp. 165-168
Citation: Jp. Vincent, THE INDEFATIGABLE TRANSMISSION + CONTEMPO RARY FRENCH THEATER FROM THE 1960S TO THE 1990S, Revue d'esthetique, (26), 1994, pp. 179-180
Citation: R. Cantarella, MANPOWER + POLITICS AND EMOTION, VIRTUE A ND TRANSGRESSION IN CONTEMPORARY FRENCH THEATER, Revue d'esthetique, (26), 1994, pp. 188-191
Citation: Af. Benhamou, REAL-LIFE IS ELSEWHERE + THEATER AND POLI TICS IN FRANCE FROM THE 1960S TO THE PRESENT, Revue d'esthetique, (26), 1994, pp. 211-216
Citation: R. Abirached, THEATER COMPANIES AND THE STATE -GENERATION THEATER( GUIDELI NES FOR THE SURVIVAL OF NEW), Revue d'esthetique, (26), 1994, pp. 217-220
Citation: M. Saison, THE CUBE AND THE FACE, ON THE SCULPTURE B Y GIACOMETTI,ALBERTO - FRENCH - DIDIHUBERMAN,G, Revue d'esthetique, (26), 1994, pp. 228-229