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Table of contents of journal: *Sinn und Form : Beiträge zur Literatur

Results: 76-100/788

Authors: DRESEN A
Citation: A. Dresen, BRECHT CENTURY - A SPEECH AT THE BERLINER -ENSEMBLE ON THE OCCASION OF BRECHT CENTENNIAL, Sinn und Form, 50(3), 1998, pp. 416-447

Authors: GRASSKAMP W
Citation: W. Grasskamp, THE ART OF ARTS - REMINISCENCES OF FINE-A RTS - GERMAN - ALBUS,A, Sinn und Form, 50(3), 1998, pp. 451-453

Authors: MOSEBACH M
Citation: M. Mosebach, KLEIST 'PENTHESILEA' AND SHAKESPEARE 'SOM MERNACHTSTRAUM', Sinn und Form, 50(3), 1998, pp. 454-458

Authors: KERTESZ I RAKUSA I
Citation: I. Kertesz et I. Rakusa, 'MEINE EINZIGE IDENTITAT', Sinn und Form, 50(2), 1998, pp. 165-177

Authors: GRANIN D BRAUNGARDT GM
Citation: D. Granin et Gm. Braungardt, 'ANGST', Sinn und Form, 50(2), 1998, pp. 178-194

Authors: MIERAU F
Citation: F. Mierau, THE LEGACY OF FLORENSKI,PAWEL - HIS LETTE RS FROM PRISON AND CONCENTRATION-CAMP, 1933-1937, Sinn und Form, 50(2), 1998, pp. 194-200

Authors: FLORENSKI P MIERAU S MIERAU F
Citation: P. Florenski et al., LETTERS OF FLORENSKI,PAWEL, Sinn und Form, 50(2), 1998, pp. 201-224

Authors: KONRAD G POLZIN C
Citation: G. Konrad et C. Polzin, THE MULTI-STORIED CONSCIOUSNESS, Sinn und Form, 50(2), 1998, pp. 225-233

Authors: JEKIMOW B GUTSCHE H
Citation: B. Jekimow et H. Gutsche, 'EISIGE GEWASSER', Sinn und Form, 50(2), 1998, pp. 234-242

Authors: ASKAN K
Citation: K. Askan, 'AN DER KANDARE', Sinn und Form, 50(2), 1998, pp. 243-247

Authors: FALKNER G
Citation: G. Falkner, 'BLAUER HIMMEL', Sinn und Form, 50(2), 1998, pp. 248-248

Authors: FALKNER G
Citation: G. Falkner, 'SOMMER, SO SAGEN ALLE', Sinn und Form, 50(2), 1998, pp. 249-249

Authors: FALKNER G
Citation: G. Falkner, 'IN GRUNINGEN, NICHTS WIE SCHMERZEN', Sinn und Form, 50(2), 1998, pp. 250-250

Authors: FALKNER G
Citation: G. Falkner, 'ZIKKURAT', Sinn und Form, 50(2), 1998, pp. 250-250

Authors: FOLDENYI LF SKIRECKI H
Citation: Lf. Foldenyi et H. Skirecki, MYSTICAL DETOUR - ON NOOTEBOOM,CEES, Sinn und Form, 50(2), 1998, pp. 251-267

Authors: SIEMONS M
Citation: M. Siemons, DAYBREAK AND HAPPY-ENDING - PERCY,WALKER EXPERIMENTS WITH THE ABSTRACT LIFE, Sinn und Form, 50(2), 1998, pp. 268-282

Authors: BEIL UJ
Citation: Uj. Beil, 'ICH MAG ES GANZ EINFACH', Sinn und Form, 50(2), 1998, pp. 283-284

Authors: BEIL UJ
Citation: Uj. Beil, 'KONZENTRATIONSUBUNG', Sinn und Form, 50(2), 1998, pp. 285-286

Authors: BEIL UJ
Citation: Uj. Beil, 'FAHRPLAN-ODE', Sinn und Form, 50(2), 1998, pp. 286-287

Authors: STOLZEL T
Citation: T. Stolzel, ENCOUNTERS WITH CIORAN, Sinn und Form, 50(2), 1998, pp. 289-297

Authors: MIERAU F
Citation: F. Mierau, DIALOGUES IN ZUG, SWITZERLAND - TRANSLATI ON WORKSHOP, OCTOBER 24-25,1997, Sinn und Form, 50(2), 1998, pp. 298-302

Authors: YOURCENAR M
Citation: M. Yourcenar, DER 'MANN, DER DIE STEINE LIEBTE', Sinn und Form, 50(1), 1998, pp. 5-22

Authors: GADAMER HG
Citation: Hg. Gadamer, A GLORIFIED REALITY OF CULTURE - FINE-ART S AND LANGUAGE ARTS AT THE END OF THE 20TH-CENTURY, Sinn und Form, 50(1), 1998, pp. 23-29

Authors: ZENDER H
Citation: H. Zender, WHAT DOES THE LANGUAGE OF MUSIC SPEAK ABO UT - A SPEECH DELIVERED UPON THE ACCEPTANCE OF THE 1997 GOETHE PRIZE, Sinn und Form, 50(1), 1998, pp. 30-43

Authors: BOHME T
Citation: T. Bohme, DER 'BAUER MIT DEM NOTENSTANDER', Sinn und Form, 50(1), 1998, pp. 44-44
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