Citation: D. Donoghue, PASSING THE TEST WITH STYLE - THE TEST OF THE AUXILIARY' - A RESPONSE( ON KEDDIE,JAMES CRITICISM OF MY BOOK 'STYLE IN OLD ENGLISH POETRY ), Studies in philology, 92(2), 1995, pp. 164-180
Citation: I. Kamps, RULING FANTASIES AND THE FANTASIES OF RULE, THE 'PHOENIX' AND 'MEASURE FOR MEASURE', Studies in philology, 92(2), 1995, pp. 248-273
Citation: Tl. Steinberg, THE SIDNEYS OF THE PSALMS + THE BIBLICAL INFLUENCE ON THE LITERATURE OF THE ENGLISH RENAISSANCE, Studies in philology, 92(1), 1995, pp. 1-17
Citation: Md. Friedman, SERVICE IS NO HERITAGE, BERTRAM AND THE IDEOLOGY OF PROCREATION + SHAKESPEARE 'ALLS WELL THAT ENDS WELL', Studies in philology, 92(1), 1995, pp. 80-101
Citation: Jw. Sider, ONE MAN IN HIS TIME PLAYS MANY PARTS, AUTHORIAL THEATRICS OF DOUBLINGIN EARLY ENGLISH RENAISSANCE DRAMA, Studies in philology, 91(4), 1994, pp. 359-389
Citation: Ar. Beer, LEFT TO THE WORLD WITHOUT A MAISTER, RALEIGH,WALTER THE 'HISTORY OF THE WORLD' AS A PUBLIC TEXT, Studies in philology, 91(4), 1994, pp. 432-463
Citation: A. Cotterill, THE POLITICS AND AESTHETICS OF DIGRESSION, DRYDEN 'DISCOURSE CONCERNING THE ORIGINAL AND PROGRESS OF SATIRE', Studies in philology, 91(4), 1994, pp. 464-495
Citation: Sl. Sondergard, TO SCAPE THE ROD, RESISTANCE TO HUMANIST PEDAGOGY AND THE SIGN OF THEPEDANT IN TUDOR ENGLAND, Studies in philology, 91(3), 1994, pp. 270-282
Citation: Et. Bonahue, I KNOW THE PLACE AND THE PERSONS, THE PLAY OF TEXTUAL FRAMES IN BALDWIN 'BEWARE THE CAT', Studies in philology, 91(3), 1994, pp. 283-300