Citation: R. Kaufman, THE SUBLIME AS SUPER-GENRE OF THE MODERN, OR 'HAMLET' IN REVOLUTION -CALEB-WILLIAMS AND HIS PROBLEMS, Studies in romanticism, 36(4), 1997, pp. 541-574
Citation: M. Hansen, NOT THUS, AFTER ALL, WOULD LIFE BE GIVEN - TECHNESIS, TECHNOLOGY AND THE PARODY OF ROMANTIC POETICS IN 'FRANKENSTEIN', Studies in romanticism, 36(4), 1997, pp. 575-609
Citation: Jp. Ward, WILL NO ONE TELL ME WHAT SHE SINGS - WOMEN AND GENDER IN THE POETRY OF WORDSWORTH,WILLIAM, Studies in romanticism, 36(4), 1997, pp. 611-633
Citation: J. Pearson, MASCULINIZING THE NOVEL - WOMEN-WRITERS AND INTERTEXTUALITY IN MATURIN,CHARLES,ROBERT THE 'WILD IRISH BOY', Studies in romanticism, 36(4), 1997, pp. 635-650
Citation: J. Mee, POETRY AND REFORM - PERIODICAL VERSE FROM THE ENGLISH DEMOCRATIC PRESS 1792-1824 - SCRIVENER,M, Studies in romanticism, 36(4), 1997, pp. 655-657
Citation: Da. Kaiser, BURKE,EDMUND AESTHETIC IDEOLOGY - LANGUAGE, GENDER, AND POLITICAL-ECONOMY IN REVOLUTION - FURNISS,T, Studies in romanticism, 36(4), 1997, pp. 660-663
Citation: B. Goldberg, MINISTRY MORE PALPABLE - WORDSWORTH,WILLIAM AND THE MAKING OF ROMANTIC PROFESSIONALISM, Studies in romanticism, 36(3), 1997, pp. 327-347
Citation: J. Thompson, AN AUTUMNAL BLAST, A KILLING FROST - COLERIDGE POETIC CONVERSATION WITH THELWALL,JOHN, Studies in romanticism, 36(3), 1997, pp. 427-456
Citation: Pms. Dawson, SHELLEY AND THE REVOLUTION OF TASTE - THE BODY AND THE NATURAL WORLD - MORTON,T, Studies in romanticism, 36(3), 1997, pp. 498-502
Citation: Ja. Butler, WORDSWORTH,WILLIAM AND WORDSWORTH,DOROTHY, 'EMMA', AND A GERMAN TRANSLATION IN THE 'ALFOXDEN NOTEBOOK', Studies in romanticism, 36(2), 1997, pp. 157-171