Citation: S. Zlotnick, LOWLY BARDS AND INCOMPLETE LYRES - FORRESTER,FANNY AND THE CONSTRUCTION OF A WORKING-CLASS WOMANS POETIC IDENTITY, Victorian poetry, 36(1), 1998, pp. 17-35
Citation: H. Hollis, ADVICE NOT TAKEN - ATTACKING HOPKINS DRAGON THROUGH STANZA 16 ('WRECKOF THE DEUTSCHLAND'), Victorian poetry, 36(1), 1998, pp. 47-57
Citation: S. Dillon et K. Frank, DEFENESTRATIONS OF THE EYE - FLOW, FIRE AND SACRIFICE IN 'CASA GUIDI WINDOWS' (BROWNING,ELIZABETH,BARRETT), Victorian poetry, 35(4), 1997, pp. 471-492
Citation: K. Polette, THE MANY-WALLED WORLD OF 'ANDREA DEL SARTO' - THE DYNAMICS OF SELF-EXPATRIATION (BROWNING,ROBERT), Victorian poetry, 35(4), 1997, pp. 493-507
Citation: Ds. Neff, PHIDIAS AND THE RUNIC-STONE - GRAY 'ALCAIC ODE' AND 'STANZAS FROM THEGRANDE CHARTREUSE', Victorian poetry, 35(4), 1997, pp. 543-550
Citation: Ja. Wagnerlawlor, THE PRAGMATICS OF SILENCE, AND THE FIGURATION OF THE READER IN BROWNING MONOLOGUES, Victorian poetry, 35(3), 1997, pp. 287-302
Citation: K. Alkalaygut, THE THING HE LOVES - MURDER AS AESTHETIC EXPERIENCE IN THE 'BALLAD OFREADING GAOL' (WILDE,OSCAR), Victorian poetry, 35(3), 1997, pp. 349-366