Citation: A. Kruger et G. Runge, LIFTING THE VEIL - 2 TYPOLOGICAL DIAGRAMS IN THE 'HORTUS DELICIARUM' (NATURAL-HISTORY, MEDIEVAL SYMBOLISM, ALLEGORY), Journal of the Warburg and Courtauld Institutes, 60, 1997, pp. 1-22
Citation: Ds. Chambers, MERIT AND MONEY - THE PROCURATORS OF 'SAINT MARK' AND THEIR COMMISSIONI, 1443-1605 (VENICE RENAISSANCE ARCHITECTURE, ART PATRONAGE), Journal of the Warburg and Courtauld Institutes, 60, 1997, pp. 23-88
Citation: H. Vandervelden, CHRISTUS,PETRUS 'OUR LADY OF THE DRY TREE' (BAROQUE ICONOGRAPHY, PANEL PAINTING), Journal of the Warburg and Courtauld Institutes, 60, 1997, pp. 89-110
Citation: M. Lucco et A. Pontani, GREEK INSCRIPTIONS ON 2 VENETIAN RENAISSANCE PAINTINGS, Journal of the Warburg and Courtauld Institutes, 60, 1997, pp. 111-129
Citation: M. Douglasscott, TINTORETTO,JACOPO 'ALTARPIECE OF SAINT AGNES' AT THE MADONNA-DELLORTOIN VENICE AND THE MEMORIALISATION OF CARDINAL CONTARINI, Journal of the Warburg and Courtauld Institutes, 60, 1997, pp. 130-163
Citation: E. Montaner, THE LAST TRIBUTE TO ISABELLA-OF-BOURBON AT SALAMANCA (BAROQUE FUNERARY CEREMONIES), Journal of the Warburg and Courtauld Institutes, 60, 1997, pp. 164-193
Citation: C. Small et A. Small, EVELYN,JOHN AND THE GARDEN OF EPICURUS (BRITISH LANDSCAPE-ARCHITECTURE), Journal of the Warburg and Courtauld Institutes, 60, 1997, pp. 194-214
Citation: A. Asfour et P. Williamson, ON REYNOLDS USE OF DE-PILES, LOCKE AND HUME IN THE ESSAYS ON RUBENS AND GAINSBOROUGH, Journal of the Warburg and Courtauld Institutes, 60, 1997, pp. 215-229
Citation: Dn. Hasse, KING AVICENNA - THE ICONOGRAPHIC CONSEQUENCES OF A MISTRANSLATION (MEDIEVAL PHILOSOPHY, 'CANON MEDICINAE'), Journal of the Warburg and Courtauld Institutes, 60, 1997, pp. 230-243
Citation: P. Taylor et C. Vaneck, PIERO-DELLA-FRANCESCA GIANTS (RENAISSANCE PAINTING, PERSPECTIVE), Journal of the Warburg and Courtauld Institutes, 60, 1997, pp. 243-247
Citation: N. Rubinstein, YOUTH AND SPRING IN BOTTICELLI 'PRIMAVERA' (RENAISSANCE ART, CLASSICAL POETRY), Journal of the Warburg and Courtauld Institutes, 60, 1997, pp. 248-251
Citation: D. Ekserdjian, LOTTO,LORENZO 'VIRGIN AND CHILD WITH ST ONOPHRIUS AND ST IGNATIUS OF ANTIOCH', Journal of the Warburg and Courtauld Institutes, 60, 1997, pp. 251-253
Citation: J. Jungic, SAVONAROLAN PROPHECY IN LEONARDO 'ALLEGORY WITH WOLF AND EAGLE' (FLORENTINE RELIGIOUS POLITICAL-HISTORY, DRAWING), Journal of the Warburg and Courtauld Institutes, 60, 1997, pp. 253-260
Citation: M. Mayer, TOWARDS A HISTORY OF THE LIBRARY OF AGUSTIN,ANTONIO (SPANISH BAROQUE HUMANISM, ESCORIAL), Journal of the Warburg and Courtauld Institutes, 60, 1997, pp. 261-272
Citation: G. Rebecchini, NEW LIGHT ON 2 VENUSES BY CORREGGIO (PAINTING, MYTHOLOGY), Journal of the Warburg and Courtauld Institutes, 60, 1997, pp. 272-275
Citation: J. Chorpenning, THE ENIGMA OF JOSEPH,SAINT IN POUSSIN 'HOLY FAMILY ON THE STEPS', Journal of the Warburg and Courtauld Institutes, 60, 1997, pp. 276-281
Citation: Gd. Callatay, THE KNOT OF THE HEAVENS + EVOCATIONS OF THE BINDING OF THE 2 CELESTIAL HEMISPHERES IN GREEK AND LATIN ASTRONOMICAL WRITINGS, Journal of the Warburg and Courtauld Institutes, 59, 1996, pp. 1-13
Citation: A. Garciaaviles, 2 ASTROMAGICAL MANUSCRIPTS OF ALFONSO-X -CENTURY CASTILE( THE PRODUCTION OF WORKS ON ASTRONOMY AND ASTRAL MAGIC IN 13TH), Journal of the Warburg and Courtauld Institutes, 59, 1996, pp. 14-23
Citation: E. Frojmovic, GIOTTO ALLEGORIES OF JUSTICE AND THE COMMUNE IN THE PALAZZO-DELLA-RAGIONE IN PADUA -MEDIEVAL ITALIAN CITIES - A RECONSTRUCTION( POLITICAL IMAGERY AND ICONOGRAPHY IN LATE), Journal of the Warburg and Courtauld Institutes, 59, 1996, pp. 24-47
Citation: L. Cabre, ARISTOTLE FOR THE LAYMAN - SENSE PERCEPTION IN THE POETRY OF MARCH,AUSIAS( CLASSICAL AND PATRISTIC INFLUENCES ON MORALITY AND LOVE IN MEDIEVAL VALENCIAN POETICAL LITERATURE ), Journal of the Warburg and Courtauld Institutes, 59, 1996, pp. 48-60
Citation: A. Seebohm, THE CRUCIFIED MONK -MEDIEVAL AND POST-MEDIEVAL MONASTIC THEOLOGIES( TEXTUAL AND ICONOGRAPHICAL IDENTIFICATIONS TRACING PICTORIAL ORIGINS FROM PRE), Journal of the Warburg and Courtauld Institutes, 59, 1996, pp. 61-102
Citation: R. Signorini, NEW FINDINGS ABOUT MANTEGNA,ANDREA -MEDIEVAL WILL FROM THE ARCHIVIO-NOTARILE IN MANTUA - HIS SON MANTEGNA,LUDOVICO POSTMORTEM INVENTORY (1510)( AN ANALYSIS AND REPRODUCTION OF A LATE), Journal of the Warburg and Courtauld Institutes, 59, 1996, pp. 103-118
Citation: Jn. Hillgarth, THE IMAGE OF ALEXANDER-VI AND BORGIA,CESARE IN THE 16TH-CENTURY AND 17TH-CENTURY + EXPLORING THE HISTORICAL SIGNIFICANCE OF DISTORTED AND IMAGINARY DEPICTIONS OF THE BORGIAS, Journal of the Warburg and Courtauld Institutes, 59, 1996, pp. 119-129
Citation: D. Kinnaneroelofsma, BRITANNIA AND MELITA - PSEUDOMORPHIC SISTERS( ICONOGRAPHICAL DEPICTIONS OF ALLEGORICAL FIGURES AS ABSTRACT PERSONIFICATIONS OF COUNTRIES ), Journal of the Warburg and Courtauld Institutes, 59, 1996, pp. 130-147