Citation: M. Iglesiassantos, THE PROSE THEATER OF VALLEINCLAN - SPANIS H - LAVAUD,JM, Anales de la literatura espanola contemporanea, 20(3), 1995, pp. 533-537
Citation: O. Cornagobernal, HISTORY OF NATIONAL THEATERS (1939-1962) - SPANISH - PELAEZ,A, ANDURA,F, Anales de la literatura espanola contemporanea, 20(3), 1995, pp. 537-541
Citation: O. Cornagobernal, VALLEINCLAN, TODAY - CRITICAL AND BIBLIOG RAPHICAL STUDIES - SPANISH - SCHIAVO,L, Anales de la literatura espanola contemporanea, 20(3), 1995, pp. 541-544
Citation: Je. Checapuerta, THE EVERYDAY THEATER OF ALONSO,JOSE,LUIS (SPANISH), Anales de la literatura espanola contemporanea, 20(3), 1995, pp. 544-549
Citation: Sm. Greenfield, VALLEINCLAN AND THE THEATER, INNOVATION IN LA 'CABEZA DEL DRAGON', EL'EMBRUJADO' AND LA 'MARQUESA ROSALINDA' - VILA,X, Anales de la literatura espanola contemporanea, 20(3), 1995, pp. 549-552
Citation: F. Catearries, DALI,SALVADOR, GARCIALORCA,FEDERICO, AND THE PERSISTENCE OF MEMORY - REVEALING HIDDEN FACES, Anales de la literatura espanola contemporanea, 20(1-2), 1995, pp. 11-28
Citation: E. Cibreiro, TRANSGRESSING THE HISTORIC AND LITERARY R EALITY, THE FANTASTIC DISCOURSE IN EL 'CUARTO DE ATRAS', Anales de la literatura espanola contemporanea, 20(1-2), 1995, pp. 29-46
Citation: Rv. Cornejoparriego, MYTHOLOGY, REPRESENTATION AND IDENTITY IN EL 'MISMO MAR DE TODOS LOS VERANOS' BY TUSQUETS,ESTHER, Anales de la literatura espanola contemporanea, 20(1-2), 1995, pp. 47-63
Citation: J. Cruz, SURREALISM AND THE MIDDLE-AGES, LA 'DANZA DE LA MUERTE' BY GARCIALORCA, Anales de la literatura espanola contemporanea, 20(1-2), 1995, pp. 65-83
Citation: T. Escaja, POETIC TRANSGRESSION, EROTIC TRANSGRESSIO N, THE EARTHLY ANGELS OF ROSSETTI,ANA 'DEVOCIONARIO', Anales de la literatura espanola contemporanea, 20(1-2), 1995, pp. 85-100
Citation: J. Garcia, 'JUEGOS DE LA EDAD TARDIA', APOTHEOSIS OF THE LITERARY DISCOURSE, Anales de la literatura espanola contemporanea, 20(1-2), 1995, pp. 101-124
Citation: J. Krugerrobbins, THE SHATTERED IMAGE, REFERENTIALITY AND THE SPEAKER IN CARNERO,GUILLERMO 'DIVISIBILIDAD INDEFINIDA', Anales de la literatura espanola contemporanea, 20(1-2), 1995, pp. 139-154
Citation: Sl. Martinmarquez, DEATH AND THE CINEMA IN GIMFERRER,PERE LA 'MUERTE EN BEVERLY HILLS', Anales de la literatura espanola contemporanea, 20(1-2), 1995, pp. 155-172
Citation: Sj. Schumm, BORROWED LANGUAGE IN RIERA,CARME 'CUESTION DE AMOR PROPIO', Anales de la literatura espanola contemporanea, 20(1-2), 1995, pp. 199-214
Citation: G. Feliz, 'DIOSDADO DE LO ALTO' BY BETANZOS,ODON - RENOVATED VISION OF THE OLD CERVANTINE IDEAL, Anales de la literatura espanola contemporanea, 20(1-2), 1995, pp. 215-221
Citation: Jp. Gabriele et M. Martinezmediero, MARTINEZMEDIERO TALKS ABOUT HIS THEATER + AN INTERVIEW, Anales de la literatura espanola contemporanea, 20(1-2), 1995, pp. 223-231
Citation: Mt. Grabowski, THE FUNCTION OF THE ESPERPENTO IN 'TIRANO BANDERAS' - SPANISH - BAAMONDETRAVERSCO,G, Anales de la literatura espanola contemporanea, 20(1-2), 1995, pp. 259-262
Citation: J. Baena, DICTIONARY OF THE LITERATURE OF THE IBERI AN PENINSULA - BLEIBERG,G, IHRIE,M, PEREZ,J, Anales de la literatura espanola contemporanea, 20(1-2), 1995, pp. 262-266
Citation: Wm. Mudrovic, THE 1ST GENERATION OF POSTWAR POETS - STU DY AND ANTHOLOGY - SPANISH - FORTUNOLLORENS,S, Anales de la literatura espanola contemporanea, 20(1-2), 1995, pp. 266-268