Citation: I. Favre, SWISS FRANCOPHONY - THE ECCENTRIC BODY AND METONYMY IN UNE 'CUILLEREEDE BLEU' BY CUNEO,ANNE, Romance notes, 38(3), 1998, pp. 245-253
Citation: J. Koene, BETWEEN REALITY AND FICTION - PARODY AS A METHOD OF SUBVERSION IN THESHORT-STORY 'TOSCA' BY ALLENDE,ISABEL, Romance notes, 38(3), 1998, pp. 263-270
Citation: M. Harp, PANURGES THIRST AS METAPHOR IN THE WORKS OF RABELAIS,FRANCOIS ('PANTAGRUEL' AND 'GARGANTUA'), Romance notes, 38(3), 1998, pp. 303-310
Citation: V. Desroches, REPRESENTATION AND METATEXT IN L'IMPROMPTU DE VERSAILLES' AND THE QUERELLE CONCERNING L'ECOLE DES FEMMES' (MOLIERE), Romance notes, 38(3), 1998, pp. 321-331
Citation: L. Chang, LES PRECAUTIONS-RIDICULES - TEXTSPIN IN 17TH-CENTURY FRANCE (WRITTEN TEXT IN THE LITERARY BATTLEFIELD), Romance notes, 38(3), 1998, pp. 333-341
Citation: A. Maazaoui, EROTICISM AND THE SACRED - THE NOVELS OF BENJELLOUN,TAHAR, DJEBAR,ASSIA, AND MELLAH,FAWZI, Romance notes, 38(2), 1998, pp. 149-156
Citation: Ap. Durand, LE-RIRE-EST-LE-PROPRE-DE-LHOMME - THE TEX T OF RABELAIS WORKS VIEWED AS MENIPPEAN SATIRE, Romance notes, 38(2), 1998, pp. 179-189
Citation: Mp. Delmastro, BENEATH SATIRE - EXPOSING GANIVETIAN IDEOLOGY IN LA 'CONQUISTA DEL REINO DE MAYA' (GANIVET,ANGEL), Romance notes, 38(2), 1998, pp. 215-221