Citation: Cj. Donahue, WRITTEN VERSUS VISUAL TEXT - A STUDY OF 2 ILLUMINATIONS IN MS-P OF THE 'LIBRO DEL CAUALLERO CIFAR', Romance notes, 38(2), 1998, pp. 233-241
Citation: W. Johnson, CARMEN AND EXOTIC NATIONALISM - ESPANA-A-LA-FRANCAISE (THE VERSIONS OF MERIMEE,PROSPER AND BIZET,GEORGES), Romance notes, 38(1), 1997, pp. 45-52
Citation: S. Mccready, PERFORMING STABILITY - THE PROBLEM OF PROOF IN DEMUSSET,ALFRED UN 'CAPRICE' AND LA 'QUENOUILLE DE BARBERINE', Romance notes, 38(1), 1997, pp. 87-95
Citation: Gs. Brown et Dc. Spinelli, THE SOCIETE-DES-AUTEURS-DRAMATIQUES, BEAUMARCHAIS, AND THE 'MEMOIRE SUR LA PREFACE DE NADIR', Romance notes, 37(3), 1997, pp. 239-249
Citation: C. Schapira, GENITIVUS-SUPERLATIVUS OR THE SUPERLATIVE OF THE NOUN -TESTAMENT HEBREW( A LINGUISTIC CONCEPT SEEN IN OLD AND NEW), Romance notes, 37(3), 1997, pp. 251-261
Citation: D. Morgan, SOURCES OF ENLIGHTENMENT - THE IDEALIZING OF CHINA IN THE JESUITS 'LETTRES EDIFIANTES' AND VOLTAIRE 'SIECLE DE LOUIS XIV', Romance notes, 37(3), 1997, pp. 263-272
Citation: Pa. Mceachern, TRUE LIES -NERVOSA - FASTING FOR FORCE OR FASHION IN 'MADAME BOVARY'(FLAUBERT DEPICTION OF ANOREXIA), Romance notes, 37(3), 1997, pp. 289-298
Citation: Ng. Diaz, PERFORMING SOLEDAD - THE DEMYTHIFICATION OF IDENTITY IN BRASCHI,GIANNINA EL 'IMPERIO DE LOS SUENOS', Romance notes, 37(3), 1997, pp. 331-337