Citation: Mc. Quintero, MONARCHY AND THE LIMITS OF EXEMPLARITY IN THE TEATRO-PALACIEGO OF BANCESCANDAMO,FRANCISCO, Hispanic review, 66(3), 1998, pp. 309-329
Citation: Ak. Stoll, THE SAVAGE IN THE COMEDY OF THE GOLDEN-AGE - HISTORY OF A THEME EMPLOYED FROM LOPE TO CALDERON - SPANISH - ANTONUCCI,F, Hispanic review, 66(3), 1998, pp. 337-338
Citation: Sb. Vranich, THE EDUCATION OF MANUEL-DE-SALINAS IN HUESCA DURING THE BAROQUE PERIOD - FAMILIAL AND URBAN AMBIENCE OF THE POET (1616-1645) - SPANISH - CUEVASSUBIAS,P, Hispanic review, 66(3), 1998, pp. 340-341
Citation: Le. Delgado, GALDOS - TALE OF WOMAN AND THE POETICS OF SEXUALITY - PARTIAL READINGOF 'FORTUNATA Y JACINTA' - SPANISH - VILAROS,TM, Hispanic review, 66(3), 1998, pp. 350-352
Citation: T. Mermall, ALLEGORIES OF THE WILL - ORGANIC THOUGHT, RHETORIC AND DECONSTRUCTIONIN THE WORKS OF UNAMUNO,MIGUEL,DE - SPANISH - LARUBIAPRADO,F, Hispanic review, 66(3), 1998, pp. 355-357
Citation: R. Cardona, UTOPIA AND THE THEATER - THE DRAMA OF GOMEZDELASERNA,RAMON - SPANISH - HERREROVECINO,C, Hispanic review, 66(3), 1998, pp. 362-363
Citation: J. Perezmagallon, STRATEGIES OF THE IMAGINATION - LITERARY UTOPIAS AND POLITICAL RHETORIC UNDER FRANCO - SPANISH - CANOBALLESTA,J, Hispanic review, 66(3), 1998, pp. 363-365
Citation: P. Zatlin, THE THEATER OF BUERO-VALLEJO - HOMAGE FROM BRITISH AND IRISH HISPANISTS - SPANISH - DIXON,V, JOHNSTON,D, Hispanic review, 66(3), 1998, pp. 365-367