Citation: J. Deutsch, SOMEWHERE IN THE NIGHT - FILM-NOIR AND THE AMERICAN CITY - CHRISTOPHER,N, American studies international, 36(1), 1998, pp. 99-100
Citation: K. Kruckemeyer, INTERRACIALISM AND CHRISTIAN COMMUNITY IN THE POSTWAR SOUTH - THE STORY OF KOINONIA FARM - KMEYER,TE, American studies international, 36(1), 1998, pp. 101-102
Citation: H. Neilson, JACKS GHOST - REAPPEARANCES OF KENNEDY,JOHN,F. IN THE WORK OF VIDAL,GORE AND MAILER,NORMAN, American studies international, 35(3), 1997, pp. 23-41
Citation: S. Oppermann et M. Oppermann, FEDERMAN,RAYMOND 'DOUBLE OR NOTHING' - A PROLEGOMENA TO A POSTMODERN PRODUCTION AESTHETICS, American studies international, 35(3), 1997, pp. 42-66
Citation: K. Offen, NEW WORLDS FOR ALL - INDIANS, EUROPEANS AND THE REMAKING OF EARLY AMERICA - CALLOWAY,CG, American studies international, 35(3), 1997, pp. 89-90
Citation: Gl. Buckley, COMMON GROUND - THE STRUGGLE FOR OWNERSHIP OF THE BLACK-HILLS-NATIONAL-FOREST - GEORES,ME, American studies international, 35(3), 1997, pp. 90-90
Citation: R. Longstreth, THE ALLEYS AND BACK BUILDINGS OF GALVESTON - AN ARCHITECTURAL AND SOCIAL-HISTORY - BEASLEY,E, American studies international, 35(3), 1997, pp. 92-92
Citation: Ea. Andrews, THE MAIMIE PAPERS - LETTERS FROM AN EX-PROSTITUTE - PINZER,M, ROSEN,R, DAVIDSON,S, American studies international, 35(3), 1997, pp. 92-95
Citation: C. Andrews, HUMOR AND REVELATION IN AMERICAN LITERATURE - THE PURITAN CONNECTION - COVICI,P, American studies international, 35(3), 1997, pp. 95-96
Citation: R. Demott, THE WEAVER-GOD, HE WEAVES - MELVILLE AND THE POETICS OF THE NOVEL - STEN,C, American studies international, 35(3), 1997, pp. 98-100
Citation: B. Clarke, STRUCTURING THE VOID - THE STRUGGLE FOR SUBJECT IN CONTEMPORARY AMERICAN FICTION - KLINKOWITZ,J, American studies international, 35(3), 1997, pp. 102-103