Authors:
KAPLAN JA
MORIN F
TANAKA K
FUSS A
SAMORE S
HATOUM M
WARD N
ANTONI J
Citation: Ja. Kaplan et al., THE QUIET IN THE LAND - EVERYDAY LIFE, CONTEMPORARY-ART, AND THE SHAKERS - A CONVERSATION WITH KAPLAN,JANET,A. (A COMPILED DISCUSSION), Art journal, 57(2), 1998, pp. 4-27
Citation: D. Ashford, THE EXHIBITION AS AN ARTISTIC MEDIUM (COURSE FRAGMENTS AND SYLLABUS, ANTIOCH-COLLEGE, YELLOW SPRINGS, OHIO, 1997), Art journal, 57(2), 1998, pp. 28-37
Citation: Ja. Kaplan et C. Hill, HILL,CHRISTINE 'VOLKSBOUTIQUE' - INTERVIEW WITH KAPLAN,JANET,A., TEXTBY HARDER,MATTHIAS, PHOTOGRAPHS BY LIEBCHEN,JENS, Art journal, 57(2), 1998, pp. 38-45
Citation: L. Rinder, PAINTING AROUND THE FIRE - MAISIN CULTURE AND COLLECTIVITY (TAPA CLOTH PAINTING FROM PAPUA-NEW-GUINEA), Art journal, 57(2), 1998, pp. 60-71
Citation: A. Wallach, ASSIGNMENT - RESCUE - THE STORY OF FRY,VARIAN AND THE EMERGENCY-RESCUE-COMMITTEE - MORGENSTEIN,SW, LIBERMAN,M, Art journal, 57(2), 1998, pp. 122-125
Citation: J. Apple, RESURRECTING THE DISAPPEARED - RECOLLECTIONS OF ARTISTS IN-ABSENTIA (WORKS BY KROESEN,JILL, LABOWITZ,LESLIE, AND VIS,JERRY), Art journal, 56(4), 1997, pp. 6-10
Citation: A. Jones, PRESENCE IN-ABSENTIA - EXPERIENCING PERFORMANCE AS DOCUMENTATION (SCHNEEMANN,CAROLEE 'INTERIOR SCROLL', KUSAMA,YAYOI SELF-PORTRAIT PHOTOGRAPHS, AND SPRINKLE,ANNIE 'POST POST PORN MODERNIST'), Art journal, 56(4), 1997, pp. 11-18