Citation: B. Hanna, SPIES LIKE US - THOUGHTS ON CULTURAL CONFORMITY AND LANGUAGE TEACHING, Australian journal of French studies, 33(2), 1996, pp. 262-277
Citation: Ms. Riviere, VOLTAIRE AND LABEAUMELLE - A DETRIMENTAL, YET MUTUALLY BENEFICIAL LITERARY DUEL, Australian journal of French studies, 33(1), 1996, pp. 10-29
Citation: Cr. Montfort, CAMPAN,MADAME 'INSTITUION DEDUCATION' - A REVOLUTION IN THE EDUCATIONOF WOMEN, Australian journal of French studies, 33(1), 1996, pp. 30-44
Citation: C. Warne, AMATEURS AND COLLECTORS - MONTEIL,AMANS,ALEXIS AND THE EMERGENCE OF APROFESSIONAL ARCHIVE CULTURE IN 19TH-CENTURY FRANCE, Australian journal of French studies, 33(1), 1996, pp. 45-72
Citation: K. Wren, HALFWAY TO PARADISE - FAILED UTOPIA IN THE EARLY FICTION OF SAND,GEORGE, Australian journal of French studies, 33(1), 1996, pp. 73-85
Citation: M. Brix, THE UPSIDE AND DOWNSIDE OF THE PROFESSION WHICH IS NOT REALLY A PROFESSION - NERVAL,GERARD,DE, 'LORELY', AND WRITING AS A PROFESSION, Australian journal of French studies, 33(1), 1996, pp. 86-106
Citation: J. Fornasiero, FORMS OF FRENCH SOCIALISM 1796-1866 - FOR MS OF SOCIALIST DISCOURSE -FRENCH - BIRNBERG,J, EDITOR, AGULHON,M, PREFACER, Australian journal of French studies, 33(1), 1996, pp. 120-124
Citation: J. Lawler, DESTINY AND THE POET - 'SPLEEN ET IDEAL 65-85'( BAUDELAIRE,CHARLES ), Australian journal of French studies, 32(3), 1995, pp. 275-300
Citation: J. Anderson, SUGGESTIVE SOUNDS - POETIC TRANSGRESSION AND THE NAKED VOICE IN MALLARME, Australian journal of French studies, 32(3), 1995, pp. 362-379
Citation: R. Lloyd, FAN AUTOGRAPHS - UNFOLDING RELATIONSHIPS( MALLARME,STEPHANE AND HIS CIRCLE OF FRIENDS ), Australian journal of French studies, 32(3), 1995, pp. 380-389
Citation: W. Kirsop, BRENNAN AND HUYSMANS + ANNOTATED BOOKS FROM BRENNAN,CHRISTOPHER PERSONAL LIBRARY AND THE POETS LITERARY DEBTS, Australian journal of French studies, 32(3), 1995, pp. 406-410
Citation: W. Guentner, GENERIC ASPECTS OF FRENCH TRAVEL NARRATIV ES - HORACE CONCEPT OF THE UTILE-DULCE, Australian journal of French studies, 32(2), 1995, pp. 131-154
Citation: E. Zawisza, PROPOSING A RHETORICAL READING OF PREFACE S TO FRENCH NOVELS FROM THEENLIGHTENMENT PERIOD, Australian journal of French studies, 32(2), 1995, pp. 155-175
Citation: A. Rothwell, REPRESENTATION AND CREATION IN ALBERTBIRO T,PIERRE LA 'JOIE DES SEPT COULEURS', Australian journal of French studies, 32(2), 1995, pp. 187-218
Citation: F. Canovas, DREAMS IN GRACQ,JULIEN 'UN BEAU TENEBREUX ' - OR THE THEATER OF DREAMS, Australian journal of French studies, 32(2), 1995, pp. 237-259