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Results: 1-25/257
Authors:
CARTWRIGHT K
Citation: K. Cartwright, THE CONFUSIONS OF 'GALLATHEA' - LYLY,JOHN AS POPULAR DRAMATIST, Comparative drama, 32(2), 1998, pp. 207-239
Authors:
DAVINCINICHOLS N
Citation: N. Davincinichols, PIRANDELLO, THE SACRED, AND THE DEATH OF TRAGEDY, Comparative drama, 32(2), 1998, pp. 240-251
Authors:
PLESCH V
Citation: V. Plesch, WALLS AND SCAFFOLDS - PICTORIAL AND DRAMATIC PASSION CYCLES IN THE DUCHY OF SAVOY, Comparative drama, 32(2), 1998, pp. 252
Authors:
CORDNER M
Citation: M. Cordner, ENGLISH DRAMA 1660-1700 - HUGHES,D, Comparative drama, 32(2), 1998, pp. 291-293
Authors:
GOMEZLARA MJ
Citation: Mj. Gomezlara, THE MEDIEVAL THEATER IN CASTILE - STERN,C, Comparative drama, 32(2), 1998, pp. 293-297
Authors:
COAKLEY J
Citation: J. Coakley, SHAW PEOPLE - VICTORIA TO CHURCHILL - WEINTRAUB,S, Comparative drama, 32(2), 1998, pp. 297-302
Authors:
COAKLEY J
Citation: J. Coakley, SHAW,GEORGE,BERNARD AND THE SOCIALIST THEATER - DAVIS,TC, Comparative drama, 32(2), 1998, pp. 297-302
Authors:
COAKLEY J
Citation: J. Coakley, SHAW,BERNARD - THE ASCENT OF THE SUPERMAN - PETERS,S, Comparative drama, 32(2), 1998, pp. 297-302
Authors:
STAPLETON ML
Citation: Ml. Stapleton, ARDEN,THOMAS IN FAVERSHAM - THE MAN BEHIND THE MYTH - HYDE,P, Comparative drama, 32(2), 1998, pp. 302-304
Authors:
BERRY R
Citation: R. Berry, SHAKESPEARE EAST AND WEST - FUJITA,M, PRONKO,L, Comparative drama, 32(2), 1998, pp. 304-306
Authors:
HAEDICKE JV
Citation: Jv. Haedicke, AN INTRODUCTION TO POSTCOLONIAL THEATER - CROW,B, BANFIELD,C, Comparative drama, 32(2), 1998, pp. 307-310
Authors:
HASSEL RC
Citation: Rc. Hassel, STAGING REFORM, REFORMING THE STAGE - PROTESTANTISM AND POPULAR THEATER IN EARLY-MODERN ENGLAND - DIEHL,H, Comparative drama, 32(2), 1998, pp. 310-314
Authors:
EVITT RM
Citation: Rm. Evitt, THEATER AND FEMINIST AESTHETICS - LAUGHLIN,K, SCHULER,C, Comparative drama, 32(2), 1998, pp. 314-315
Authors:
WALKER G
Citation: G. Walker, HOUSEHOLD BUSINESS - DOMESTIC PLAYS OF EARLY-MODERN ENGLAND - COMENSOLI,V, Comparative drama, 32(2), 1998, pp. 316-317
Authors:
ROGERSON M
Citation: M. Rogerson, ENGLISH PARISH DRAMA - JOHNSTON,AF, HUSKEN,W, Comparative drama, 32(2), 1998, pp. 317-320
Authors:
ROSSI D
Citation: D. Rossi, SHAKESPEARE MANIPULATED - THE USE OF THE DRAMATIC WORKS OF SHAKESPEARE IN TEATRO DI FIGURA IN ITALY - YOUNG,S, Comparative drama, 32(2), 1998, pp. 320-322
Authors:
RUSSELL A
Citation: A. Russell, 3 TRAGIC ACTRESSES - SIDDONS, RACHEL, RISTORI - BOOTH,MR, STOKES,J, BASSNETT,S, Comparative drama, 32(2), 1998, pp. 322-326
Authors:
POOLE KE
Citation: Ke. Poole, GARBLED MARTYRDOM IN MARLOWE,CHRISTOPHER THE 'MASSACRE AT PARIS', Comparative drama, 32(1), 1998, pp. 1-25
Authors:
TIFFANY G
Citation: G. Tiffany, INTRODUCTION (DRAMA AND THE ENGLISH-REFORMATION), Comparative drama, 32(1), 1998, pp. 5-9
Authors:
BEVINGTON D
Citation: D. Bevington, LYLY 'ENDYMION' AND 'MIDAS' - THE CATHOLIC QUESTION IN ENGLAND, Comparative drama, 32(1), 1998, pp. 26-46
Authors:
HASSEL RC
Citation: Rc. Hassel, PAINTED WOMEN - ANNUNCIATION MOTIFS IN 'HAMLET', Comparative drama, 32(1), 1998, pp. 47-84
Authors:
COX JD
Citation: Jd. Cox, STAGE DEVILS IN ENGLISH-REFORMATION PLAYS, Comparative drama, 32(1), 1998, pp. 85-116
Authors:
TIPTON AJ
Citation: Aj. Tipton, THE MEANEST MAN ... SHALL BE PERMITTED FREELY TO ACCUSE - THE COMMONERS IN 'WOODSTOCK', Comparative drama, 32(1), 1998, pp. 117-145
Authors:
MASSEY D
Citation: D. Massey, VERITAS FILIA TEMPORIS - APOCALYPTIC POLEMICS IN THE DRAMA OF THE ENGLISH-REFORMATION, Comparative drama, 32(1), 1998, pp. 146-175
Authors:
HUNT M
Citation: M. Hunt, THE HYBRID REFORMATIONS OF SHAKESPEARE 2ND HENRIAD, Comparative drama, 32(1), 1998, pp. 176-206